stacks



welcome to talmudwood

Ideology that Devoured Western Culture

Pentagon sanitizes movies to make Americans warlike

Leaked emails reveal Hollywood execs at work for Israel

An Empire of Their Own: How the Jews Invented Hollywood

The new weapon was the movies.


joel stein opens his loud mouth

1,150 Free Movies Online

How Movies Can Change Our Minds

Joe Biden: "I Am A Zionist.
Don't Have To A Jew To Be A Zionist"

Religious Affiliation of AFI Directors


"Research has shown that movies have a powerful influence on the behavior of children and teenagers.

That's why corporations spend money for product placement in films to market their sneakers, sunglasses and soft drinks." - Jay A. Winsten, Harvard School of Public Health

"It is an odd dilemma. Film is "The Art Form" of the 20th century, undeniably. As Lenin said, 'the most powerful tool ever invented to influence the mind of man'. Yet more and more, we see films made that diminish the American experience and sometimes trash it completely." - Charlton Heston

"Why does every movie have to appeal to the mindless, the ill-informed, the indifferent and the violent? Our culture has been dumbed down enough by the tasteless, witless character of television sitcoms; by the feel good, don't worry, touchy feely character of television news; by the mind numbing idiocy of the right wing talk shows and a value system that celebrates consumerism above everything else in life." - Gerald E. Kerns

"It hardly needs re-stating that Talmudwood is driven by the desire for dollars rather than artistic integrity. As such, cinema is open to product placement in a variety of forms, from toys, to cars, to cigarettes, and even state-of-the art weaponry hence the "special thanks" to Boeing in the credits of Iron Man (2008)." - Matthew Alford 02/09



lies to our face

Disney's $1 Billion Bet on a Magical Wristband

Lemming Suicide Is a Myth That Was Perpetuated by Disney

Disney and Pixar pretend it’s no big deal to be poor

Disneyland 1967 - Adventure Thru Inner Space



1907 "Should you ever seek the source of the moving pictures of the vaudeville theater you will learn that the comic, the tragic, the fantastic, the mystic scenes so swiftly enacted in photographic pantomime are not real but feigned." - Moving Picture World

1917 Before classical continuity emerged the traditional approach to shooting a scene was the tableau technique reminiscent of theatrical presentations.

Action was played out in a full shot from an audience standpoint, using staging to vary the composition and express dramatic relationships.

At this time the consolidation of the characteristic approach to visual storytelling occurs in Talmudwood.

When there was cutting within the tableau setup, it usually consisted of inserted close-ups of important details, especially printed matter, like a letter or telegram.

Occasionally the close-up of an actor could be inserted, usually filmed from the same angle as the master shot.

The tableau approach was more prominent in scenes taking place in interiors; filmmakers were freer about cutting action occurring outdoors.

The master shot was typically closer and more tightly organized than a scene on the stage would be.

The tableau approach was the default of filmmaking through the 1910s.

Watch people filing silently out of a movie theater, their eyes vacant.



They look and act stoned.


One must reemerge after being submerged this way in hyperreality.

Art provides ekstasis, which means "letting us stand outside ourselves."

Entertainment usually provides just the opposite: intertenere , pulling us into our bodies while denying us perspective.

Harvard psychology professor Hugo Munsterberg, writing of this mesmerizing effect, cited reports:

"sensory hallucinations and illusions have crept in;

neurasthenic individuals are especially inclined to experience touch or temperature or smell or sound impressions from what they see on the screen.

Vivid as reality as the mind is completely engrossed in the moving images."



they live as celebrities

An offer they couldn't refuse

Two rules let movies trick your brain

This kind of suspense makes horror movies scary

CIA approved every script for spy drama 'The Americans'




Movies reinterpret reality in a way no other art form has as the photographic medium is reminiscent of reality.

Early audiences reportedly would shrink as a train on-screen pulled into a station, fearing that it would burst through and run them over.

They had to be reminded that what they were seeing was only an illusion.

What makes the movies appear even more real, and what makes them even more powerful in their effect, is how the audience mentally processed them.

As Hugo Munsterberg noted, the movies replicate our own consciousness.





As movies cast a spell to lull us into the narrative this concerns astute critics.

Critics realize movies cross the line separating reality from imagination.

Jane Addams, the social reformer, claimed the movie theater was a "veritable house of dreams," which was "infinitely more real than the noisy streets and crowded factories."

Over time the movies occupyied the common imagination like an expeditionary force, filling heads with models to appropriate.



new world order

smoking in the movies

10 Legendary Drinking Scenes in Movies

12 Movie Sex Scenes That Are Better Than Porn

Talmudwood's Actual Violence Problem


"Since audiences have no way of distinguishing between what is real and what is fabricated, they are asked to swallow the whole sugar-coated confection in one gulp.

In the real world a bald faced lie is easy to identify, but half truths are more insidious." - Preston Lerner



sexualization

Miley Cyrus - "Wrecking Ball"

Miley Cyrus - "Wrecking Ball" PARODY

Hypersexualized culture called public-health threat

Hyper-Sexualized Culture Fueling Human Trafficking

Hypersexualization of American tween culture: Has it gone too far?

Sexualized Culture Is Creating Mental Health Issues in Our Youth

US uses sexual humiliation as a political tool to control the masses


Talmudwood Name ................. Real Name


Joey Adams ............................. Joseph Abramowitz

Eddie Albert ............................ Eddie Heimberger

Woody Allen............................. Allen Konigsberg

Lauren Bacall .......................... Joan Perske

Jack Benny ............................. Benny Kubelsky

Milton Berle ........................... Milton Berlinger

Ernest Borgnine ......................... Effron Borgnine

George Burns ........................... Nathan Birnbaum

Joan Blondell........................... Rosebud Blustein

Joyce Brothers .......................... Joyce Bauer

Mel Brooks ............................. Melvin Kaminsky

Joey Bishop ............................ Joey Gottlieb

Charles Bronson ........................ Charles Buchinsky

Rona Barrett ............................ Rona Burnstein

Cyd Chrisse ............................. Tula Finklea

Tony Curtis ............................ Bernie Schwartz

Joan Crawford .......................... Lucille Le Sueur

Dyan Cannon ............................ Samile Friesen

Kirk Douglas ........................... Isadore Demsky

Bob Dylan ............................... Robert Zimmerman

Rodney Dangerfield ...................... Jacob Cohen

Douglas Fairbanks, Jr. ................. Douglas Ullman

Joel Grey .............................. Joel Katz

Elliott Gould ........................... Elliott Goldstein

Zsa Zsa Gabor ........................... Sara Gabor

John Garfield .......................... Jules Garfinkle

Judy Garland ........................... Frances Gumm

Paulette Goddard ....................... Paulette Levy

Eydie Gormé ............................. Edith Gormezano

Cary Grant ............................. Larry Leach

Lorne Green ............................. Chaim Leibowiz

Judy Holliday .......................... Judith Tuvin

Leslie Howard .......................... Leslie Stainer

Buddy Hackett .......................... Leonard Hacker

Jill St. John .......................... Jill Oppenheim

Danny Kaye .............................. David Kominsky

Alan King .............................. Irwin Kniberg

Larry King ...............................Larry Zeiger

Tina Louise ............................. Tina Blacker

Ann Landers .............................. Esther Friedman

Dorothy Lamour ......................... Dorothy Kaumeyer

Michael Landon ......................... Mike Orowitz

Steve Lawrence ......................... Sidney Leibowitz

Jerry Lewis ............................ Joseph Levitch

Karl Maiden .............................Maiden Sekulovitch

Ethel Merman ........................... Ethel Zimmerman

Jan Murray ............................. Murray Janofsky

Walter Matthau ......................... Walter Matasschanskayasky

Lilly Palmer ........................... Maria Peiser

Jan Pierce.............................. Pincus Perelmuth

Roberta Peters...........................Roberta Peterman

Eleanor Parker.......................... Ellen Friedlob

Joan Rlvers .............................Joan Molinsky

Tony Randall ........................... Sidney Rosenberg

Edward G. Robinson ..................... Emanuel Goldenberg

Dinah Shore ............................ Fanny Rose

Shelly Winters ......................... Shirley Schrift

Gene Wilder............................. Jerome Silberman

Jewish comedic performers


Millions of innocent Christian Americans have been victimized by pro-Zionist and pro-Communist film propaganda.

They do not realize the Jew "name changers" have used subtle and very sophisticated stories to manipulate Christian minds.

No nation can long remain free while such a powerful medium is totally controlled by Zionists.

The following are Jews whom many think are Gentiles:

Ed Asner, Bea Arthur, Gene Barry, Richard Benjamin, Kevin Costner, Lee J. Cobb, Joan Collins, Richard Dreyfus, Ted Danson, Peter Falk (Columbo), Eddie Fisher, Harrison Ford (25%), Richard Gere, Betty Grable, Sharon Gless, Steven Segall, Dustin Hoffman, Monty Hall, Amy Irving, Jack Klugman, Leonard Nimoy, Ken Olin, Ron Perlman, George Segel, William Shatner, Peter Strauss, Rod Steiger, Jane Seymour, Barbara Walters, Debra Winger, and Bruce Willis.




unique library index

This web site is not a commercial web site and is presented for educational purposes only.




This website defines a new perspective with which to engage reality to which its author adheres. The author feels that the falsification of reality outside personal experience has forged a populace unable to discern propaganda from reality and that this has been done purposefully by an international corporate cartel through their agents who wish to foist a corrupt version of reality on the human race. Religious intolerance occurs when any group refuses to tolerate religious practices, religious beliefs or persons due to their religious ideology. This web site marks the founding of a system of philosophy named The Truth of the Way of the Lumière Infinie - a rational religion based on reason which requires no leap of faith, accepts no tithes, has no supreme leader, no church buildings and in which each and every individual is encouraged to develop a personal relation with the Creator and Sustainer through the pursuit of the knowledge of reality in the hope of curing the spiritual corruption that has enveloped the human spirit. The tenets of The Truth of the Way of the Lumière Infinie are spelled out in detail on this web site by the author. Violent acts against individuals due to their religious beliefs in America is considered a "hate crime."

This web site in no way condones violence. To the contrary the intent here is to reduce the violence that is already occurring due to the international corporate cartels desire to control the human race. The international corporate cartel already controls the world economic system, corporate media worldwide, the global industrial military entertainment complex and is responsible for the collapse of morals, the elevation of self-centered behavior and the destruction of global ecosystems. Civilization is based on cooperation. Cooperation does not occur at the point of a gun.

American social mores and values have declined precipitously over the last century as the corrupt international cartel has garnered more and more power. This power rests in the ability to deceive the populace in general through corporate media by pressing emotional buttons which have been preprogrammed into the population through prior mass media psychological operations. The results have been the destruction of the family and the destruction of social structures that do not adhere to the corrupt international elites vision of a perfect world. Through distraction and coercion the direction of thought of the bulk of the population has been directed toward solutions proposed by the corrupt international elite that further consolidates their power and which further their purposes.

All views and opinions presented on this web site are the views and opinions of individual human men and women that, through their writings, showed the capacity for intelligent, reasonable, rational, insightful and unpopular thought. All factual information presented on this web site is believed to be true and accurate and is presented as originally presented in print media which may or may not have originally presented the facts truthfully. Opinion and thoughts have been adapted, edited, corrected, redacted, combined, added to, re-edited and re-corrected as nearly all opinion and thought has been throughout time but has been done so in the spirit of the original writer with the intent of making his or her thoughts and opinions clearer and relevant to the reader in the present time.


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