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what you do not know can not hurt you ?


what you do not know can not hurt you

"Christ is important because his solidarity with his brothers
and sisters is what guarantees salvation in the present."
Jon Sobrino Jesus the Liberator

"Learn from me, if not by my precepts, then by my example, how dangerous is the pursuit of knowledge and how much happier is that man who believes his native village to be the world than he who aspires to be greater than his culture will allow." - Mary Wollstonecraft



salvation in living life

ego death

There are only two conceptions of afterlife:

metaphorical and literal


afterlife

Ego death cleanses eternal spirit redeeming Eternal Soul

Mortal spiritual corruption is burned in the cleansing flame sacrificing ego patterns by embracing ego death.

Redemption of the Eternal Soul exists.

Redemption exists in the "afterlife," the life lived after the life not being lived while immersed spiritual corruption, has been sacrificed.

Once the conceptual structures of hyperreality have been sacrificed through ego death the soul becomes free of spiritual corruption.

The reborn soul, having experienced ego death, newly regains its lost innocence and walks hand in hand with the Creator in the Garden.

The evidence is certain for this type of of afterlife - eternal life in the death of the ego.

What evidence do we have for an eternal life in death in a place called heaven?

None whatsoever.

Biblical scripture points to a mystical awakening to the Kingdom of Heaven - along with a realization about death and the last judgement.

The "mystery" of the Jesus Narratives is set up through deliberate conflation of literal death with mystical spiritual ego death.


Mystically we can awaken to timelessness
when we learn to think of time as illusory.

This manner of eternal afterlife is certain.

Literal eternal afterlife is entirely speculative.
psychospirtual rebirth

The only evidence for eternal afterlife is mystical timeless rebirth.

The greatest religious experience is that of mystic spiritual ego death and rebirth, being reborn, enlightened, regenerated, redeemed out of the deterministic materialistic cosmos.

Enlightenment is actually simple, rational, and comprehensible.

The fully developed mind "transcends rationality" in a specific, mild, restrained sense - mystic insight is essentially comprehensible, simple, summarizable, paraphrasable and yet the words must be used metaphorically and analogously as we have no words that accuratly and adquately describe the realm of the dreamtime in which we transcend our materialistic interpretation of reality by transcending rationality within limits.

Revelation is rational and occurs through an understanding of newly created mental connections that have just come into existence - connections our subconscious minds have only been dimly aware of.

Faith is really about surviving the mystic experience of spiritual ego death and rebirth and transcending a previous conceptualization of reality - not about gaining a literal afterlife.



mind boggled

mystical experience methodology

There are multiple traditional methods of engaging the mystical experience.

The most widely spread method used by proponents of every religion is the contemplative meditative prayer. Other methods include chanting, holding a rigid body position for a prolonged period, self-flagellation, fasting, engagement in ritual practices and the use of entheogens.

An entheogen is a psychoactive substance used in a religious or shamanic context. Entheogens generally come from plant sources which contain molecules closely related to endogenous neurochemicals.

A wide variety of psychedelics are used in various religious rites. They have been shown to directly provoke what users perceive as a mystical experience.

"Entheogen" refers to any molecule which stimulates the central nervous system through one of the two main neurological pathways:

phenethylamine - a brain chemical associated with the adrenaline pathway, and a precursor of mescaline and 2C-B;

tryptamine - a brain chemical associated with the natural metabolism of serotonin, a precursor of psilocin, psilocybin, DMT, and lysergic acid diethylamide.





During the global paradigm shift in thought processing that occurs during entheogenic initiation the concept of "Eternal Life" shifts along with the understanding of concepts such as time, self-control, personal agency and self-conceptualization.

In experiential allegory, "Eternal Life" refers to the experience of timelessness, or the discovery of the existence of timelessness.

This is the true mystical meaning of "Eternal Life".

1955 Christopher Paget Mayhew, a British member of parliament, is given 400mg of mescaline before BBC TV cameras by his friend Dr Humphry Osmond. He becomes absolutely convinced that a part of our consciousness exists outside of time. Christopher Mayhew was tested by Dr Osmond throughout the experiment and showed no significant loss of intelligence. Christopher Paget Mayhew received a life peerage and was raised to the House of Lords as Baron Mayhew."

After brooding about it for several months, I still think my first, astonishing conviction was right - that on many occasions that afternoon I existed outside time. I don't mean this metaphorically, but literally. I mean that the essential part of me (the part that thinks to itself, "This is me") has an existence, quite conscious of itself, in a timeless order of reality outside the world as we know it. Though perfectly rational and wide awake I was not experiencing events in the normal sequence of time." - Christopher Paget Mayhew




brain receptors

Hofmann's Potion

LSD Brain Scan Reveals Stunning Info

LSD:The Spring Grove Experiment

The Mescaline experiment:
Humphry Osmond and Christopher Mayhew

Aldous Huxley, Doors of Perception excerpt

1950's LSD Experiment - Artist

1950's Housewife on LSD

Alan Watts on LSD


Ritualized pain can come in many forms and appears in many religions.

Mortification of the flesh or the act of self-flagellation is practiced by some Shia and utilized by many Christian sects throughout most of Christian history as well as being used in pagan or "Satanic" rituals.

In India the Standing Babas, or Khareshwari, vow never to sit or lie down in a self-inflicted corporal punishment intended to help bring spiritual enlightenment.

Those that have not experienced mystical timeless rebirth stuck in a lower form of consciousness not having grown out of an entirely materialistic concept of self.

The consciousness that overcomes delusion, māyā, and takes a higher perspective enters Heaven and Eternal Life in the present moment, in this life.

The wish for endlessly extended personal continuation envisioned as an eternal afterlife is meant to calm childish fear.

The mystic definition of salvation and of Eternal Life can happen now, where as the literal definition of salvation you will only find after death - if then.

Enlightenment, redemption, salvation, awakening, reconciliation and communion with God all pivot around the discovery of timelessness in the mystic altered state of consciousness - shown, revealed and unveiled by the Holy Spirit during the uncovering of "hidden knowledge," branding the mystery of existence, with the fire of God's compassion, fully upon the human consciousness, here and now, in this life.

Religion as a Product of Psychotropic Drug Use


Note: If you use antidepressants you will never experience mystical timeless rebirth because you must first navigate the emotional maelstrom of loss of a materialistic way of conceptualizing life and anti-depressants are designed to drop the Veil of Cognitive Blindness over your Mind's Eye.

Disclaimer: This is not a suggestion to go off your government approved meds. Whether or not you go off your government approved meds is to be discussed at length with your government approved meds provider.



At first nothing appeared changed.

But after a while, perhaps twenty minutes, I noticed first of all that the rug was no longer flat and lifeless, but had become a field of stirring and undulating hairs, much like the movement of the sea anemone or a field of wheat in the wind. Then I noticed that doors, walls, and windows were liquefying. All rigidities disappeared. It was as if I had been plunged to the bottom of the sea, and everything had become undulating and wavering. The door knobs were no longer door knobs, they melted and undulated like living serpents. Every object in the room became a living, mobile breathing world. I walked away, into a hallway opening into several small rooms. On the way there was a door leading to the garden. Gil opened it. The dazzle of the sun was blinding, every speck of gold multiplied and magnified. Trees, clouds, lawns heaved and undulated too, the clouds flying at tremendous speed. I ceased looking at the garden because on the plain door now appeared the most delicate Persian designs, flowers, mandalas, patterns in perfect symmetry. As I designed them they produced their matching music. When I drew a long orange line, it emitted its own orange tone. My body was both swimming and flying. I felt gay and at ease and playful.

There was perfect connection between my body and everything that was happening. For example, the colors in the designs gave me pleasure, as well as the music. The singing of mocking birds was multiplied, and became a whole forest of singing birds. My senses were multiplied as if I had a hundred eyes, a hundred ears, a hundred fingertips. The murals which appeared were perfect, they were Oriental, fragile, and complete, but then they became actual Oriental cities, with pagodas, temples, rich Chinese gold and red altars, and Balinese music. The music vibrated through my body as I were one of the instruments and I felt myself becoming a full percussion orchestra, becoming green, blue, orange. The waves of the sounds ran through my hair like a caress. The music ran down my back and came out of my fingertips. I was a cascade of red-blue rainfall, a rainbow. I was small, light, mobile. I could use any method of levitation I wished. I could dissolve, melt, float, soar. Wavelets of light touched the rim of my clothes, phosphorescent radiations.

I could see a new world with my middle eye, a world I had missed before. I caught images behind images, the walls behind the sky, the sky behind the infinite. The walls became fountains, the fountains became arches, the domes skies, the sky a flowering carpet, and all dissolved into pure space. I looked at a slender line curving out into space which disappeared into infinity. I saw a million zeros on this line, curving, shrinking in the distance, and I laughed and said: "Excuse me, I am not a mathematician. How can I measure the infinite?" To Dr. Janiger, who was passing by, I said: "Without being a mathematician I understood the infinite." He did not seem impressed. I saw his face as a Picasso, with a slight asymmetry. It seemed to me that one of his eyes was larger, and this eye was prying into my experience, and I turned away. Gil was sometimes there, but now I became aware that he was a child, that he had a big round face with a grin.

Now I was standing on the rim of a planet, alone. I could hear the fast rushing sound of the planets rotating in space. Then I was moving among them and I realized a certain skill would be necessary to handle this new means of transportation. The image of myself standing in space and trying to get my "space legs" amused me. I wondered who had been there before me and whether I would return to earth. The solitude distressed me and for the first time, the sense of distance, so I asked Gil very vehemently: "Are you sure that I will find my way back?" Gil answered reasonably: "Of course, I found my way back. I'm here." He asked if there was anything I wanted, a glass of water or a sandwich. I answered: "I want a pagoda." And after a while I added: "I realize this is an unreasonable request."

I returned to my starting point. I was standing in front of an ugly door, but as I looked closer it was not plain or green but it was a Buddhist temple, a Hindu column, a Moroccan ceiling, gold spires being formed and re-formed as if I were watching the hand of a designer at work. I was designing red spirals which unfurled until they formed a rose window or a mandala with edges of radium. As each design was born and arranged itself, it dissolved and the next one followed with confusion. Each form, each line emitted its equivalent in music in perfect accord with the design. An undulating line emitted music in perfect accord with the design. An undulating line emitted a sustaining undulating melody, a circle had corresponding musical notations, diaphanous colors, diaphanous sounds, a pyramid of ascending notes, and vanishing ones left only an echo. The designs were preparatory sketches for entire Oriental cities. I saw the temples of Java, Kashmir, Nepal, Ceylon, Burma, Cambodia, in all the colors of precious stones illumined from within. Then the outer forms of the temples dissolved to reveal the inner chapels and shrines. The reds and golds inside the temples created an intricate musical orchestration like Balinese music. Two sensations began to torment me: one that it was happening too quickly and that I would not be able to remember it, another that I would not be able to tell what I saw, it was too elusive and too overwhelming. The temples grew taller, the music wilder, it became a tidal wave of sounds with gongs and bells predominating. Gold spires emitted a long flute chant. Every line and color was constantly breathing and mutating.

It was then I began to experience difficulties in breathing. I felt immensely cold, and very small in my cape, as if I had undergone an Alice in Wonderland metamorphosis. I told Gil I could not breathe, and he took me to the doctor. The doctor calmed me with his words. I had asked for oxygen. He suggested I lie down and cover myself well. Gil was seated near me, grinning. I asked him if he had had difficulties breathing. I still had the impression that I had been among the planets. I remembered the illustration from Saint-Exupery's Little Prince, the child standing all alone on the edge of the planet. I lay down and covered myself. I looked at the curtains of the room and they turned to a gauzy gold. The whole room became filled with gold, as if by a strong sun. The walls turned to gold, the bedcover was gold, my whole body was becoming gold, liquid gold, scintillating, warm gold. I was GOLD. It was the most pleasurable sensation I had ever known, like an orgasm. It was the secret of life, the alchemist's secret of life. From the feeling of intense cold, as if I were chloroformed, of loss of gravity of the legs, and diminution in size, I passed to the sensation of being gold.

Suddenly I was weeping, weeping. I could feel the tears and I saw the handkerchief in my hand. Weeping to the point of dissolution. Why should I be weeping? I could see Gil smiling, and realized the absurdity of weeping when traveling through space. As soon as the concept of absurdity struck me, the comic spirit appeared again. It was another Anaïs, not the one which was lying down weeping, but a small, gay, light Anaïs, very lively, very restless and mobile. The comic spirit of Anaïs was aware of Gil's predicament: "Poor Gil, you are out with an ordinary weepy female! What a ridiculous thing to spoil a voyage through space by weeping. But before we go on, I want to explain to you why women weep: IT IS THE QUICKEST WAY TO REJOIN THE OCEAN. You liquefy, become fluid, flow back into the ocean where the colors are more beautiful."

The comic spirit of Anaïs shook herself jauntily and said: "Let's stop this weeping. Everything is more wonderful under water (than in space?). It is alive and it breathes." Space was lonely, and empty, a vast desert. After the feeling of GOLD I had a feeling of danger. My world is so beautiful, so beautiful, but so fragile. I was pleading for protection of this evanescent beauty. I thought I was the quickest mind alive and the quickest with words, but words cannot catch up with these transformations, metamorphoses. They are beyond words, beyond words. The Oriental cities vanished and the infinite appeared again, but now it was bordered on each side by the celestial gardens of precious stones on silver and gold stems. Temptation not to pursue the infinite, but to enjoy the gardens. Space is definitely without sensuous appeal.

The comic spirit of Anaïs stood aside and laughed at so much Russian-opera extravaganza. But the other Anaïs maintained her pose as a Balinese dancer with legs slightly bent, the tips of the fingers meeting in a symbolic gesture of pleading. I watched a shoreline of gold waves breaking into solid gold powder and becoming gold foam, and gold hair, shimmering and trembling with gold delights.

I felt I could capture the secret of life because the secret of life was metamorphosis and transmutation, but it happened too quickly and was beyond word. Comic spirit of Anaïs mocks words and herself. Ah, I cannot capture the secret of life with WORDS.

Sadness.

The secret of life was BREATH. That was what I always wanted words to do, to BREATHE. Comic spirit of Anaïs rises, shakes herself within her cape, gaily, irresponsibly, surrenders to the mystery of life.

Now I know why fairy tales are full of jewels.

Anais Nin


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This website defines a new perspective with which to engage reality to which its author adheres. The author feels that the falsification of reality outside personal experience has created a populace unable to discern propaganda from reality and that this has been done purposefully by an international corporate cartel through their agents who wish to foist a corrupt version of reality on the human race. Religious intolerance occurs when any group refuses to tolerate religious practices, religious beliefs or persons due to their religious ideology. This web site marks the founding of a system of philosophy named The Truth of the Way of Life - a rational gnostic mystery religion based on reason which requires no leap of faith, accepts no tithes, has no supreme leader, no church buildings and in which each and every individual is encouraged to develop a personal relation with the Creator and Sustainer through the pursuit of the knowledge of reality in the hope of curing the spiritual corruption that has enveloped the human spirit. The tenets of The Truth of the Way of Life are spelled out in detail on this web site by the author. Violent acts against individuals due to their religious beliefs in America is considered a “hate crime."

This web site in no way condones violence. To the contrary the intent here is to reduce the violence that is already occurring due to the international corporate cartels desire to control the human race. The international corporate cartel already controls the world central banking system, mass media worldwide, the global industrial military entertainment complex and is responsible for the collapse of morals, the elevation of self-centered behavior and the destruction of global ecosystems. Civilization is based on cooperation. Cooperation does not occur at the point of a gun.

American social mores and values have declined precipitously over the last century as the corrupt international cartel has garnered more and more power. This power rests in the ability to deceive the populace in general through mass media by pressing emotional buttons which have been preprogrammed into the population through prior mass media psychological operations. The results have been the destruction of the family and the destruction of social structures that do not adhere to the corrupt international elites vision of a perfect world. Through distraction and coercion the direction of thought of the bulk of the population has been directed toward solutions proposed by the corrupt international elite that further consolidates their power and which further their purposes.

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