"My speech is imperfect.
Not because I want
to shine with words,
but out of the impossibility
of finding those
I speak in images.
else can I express
the words from the depths." -
"Man has built in himself images as a fence of
security - religious, political, personal. These manifest as symbols, ideas,
beliefs. The burden of these images dominates man's thinking, his relationships
and his daily life. These images are the causes of our problems for they divide
man from man. His perception of
life is shaped by the concepts already established in his mind."- J.
"Extending now far beyond art,
realm of images has
increasingly taken on a life of its own,
from the reality it once represented."
"There is an
element of hubris in the capturing of reality that is the perfect image;
perhaps this explains the deep suspicion many religious traditions have of
images of the divine or even of humans, animals, and objects. Judaism and Islam
do without them altogether, as did Buddhism until
the Great brought Greek culture, with
its obsession with mortality and,
not coincidentally, with images, to India. There are also many cultures that
resist having their photographs taken, intuiting perhaps the hubris and
futility of the pseudo-immortality it suggests, or the Faustian exchange of a
moment in time, which is real, for the frozen representation of a moment, which
Indeed I have noticed that cameras and - even worse -
videotaping tend to detract from the happy events they are supposed to preserve
on film. Taking photographs at birthday parties and weddings to preserve those
happy memories substitutes an image for an experience, and can sometimes imbue
the event with a staged feel, as if it were not real, as if it were an
enactment to be enjoyed later. It is as if we are
uncomfortable with real moments
and prefer to experience them from a distance, second-hand. In the most extreme
case, the photographic or video recording of the event comes to completely
define the event itself - certainly the case in the realm of public relations
A small but significant way to reduce the alienation of
modern life is to put down the camera and
participate fully in the
moment, rather than trying, futilely, to preserve the moment on film. The
compulsion to record everything bespeaks the underlying anxiety of modern life,
the conviction, stemming from measured time, that our lives are slipping away
from us day by day, hour by hour, moment by moment.
I have noticed that
when I look at my sons' baby pictures my main emotion is wistfulness, a regret
that I did not truly and fully appreciate those precious, unique times. I can
seldom look at my most treasured photographs without feeling sadness and
It is much better to
enjoy each beautiful moment in the serene knowledge that an infinity of equally
yet differently beautiful moments await." -
is defined as:
Imagine; see in one's mind.
A standard or
An iconic mental
From the root of imitari to imitate.
vivid description or representation.
A personal facade one presents to
A reproduction of the form of
an individual or object.
A mental representation of something not real
The likeness of anything to which worship is paid; an
opinion or concept of something that is
held by the public.
representation of anything to the mind; a picture drawn by the fancy; a
conception; an idea.
An optically formed
duplicate, counterpart, or other representative reproduction of an
The character projected to the public of an individual or
institution as interpreted by the corporate media.
To represent to the
mental vision; to form a likeness of by the fancy or recollection; to
A concrete representation, as in art,
literature, or music, that is expressive or evocative of something
An imitation, representation, or similitude of any individual,
thing, or act, sculptured, drawn, painted, or otherwise made perceptible to the
sight; a visible presentation; a copy; a likeness; an effigy; a picture; a
"There are two kinds of propaganda - rational
propaganda in favor of action that is consonant with the
enlightened self-interest of
those who make it and those to whom it is addressed, and non-rational
propaganda that is not consonant with anybody's
enlightened self-interest, but
is dictated by, and appeals to, passion." - Aldous Huxley, Brave New World
Revisited"During the last half of the nineteenth
century and the first decades of the twentieth,
the period during which the idea of the
movies became a reality, something momentous happened in America, and it
happened not only to American culture but to the American consciousness.
Images began to flood the market. Publications that had been
limited to text were now, thanks to new print
technologies, cluttered with
illustrations, so much so that some
critics even began complaining about "over-illustration ."
University of Chicago historian
Boorstin would find its source in what he called the "Graphic Revolution," by which he meant the remarkable
rise in the quantity of visual material that had become available to the
Nor was it was not just a matter of graphic reproduction.
Everywhere in America there was a new emphasis on seeing. An example was and is
the dressing of department store windows, carefully arranged to provide maximum
visual stimulation. What made the 'Graphic Revolution' revolutionary was
less the quantity of images than their effect on the America mind.
Daniel Boorstin was concerned that the
Graphic Revolution encouraged image-thinking -
thinking in terms of an "artificial imitation or representation of the external
form of any object, especially of an individual." This came at the expense
of edifying thought - thought in terms of some ideal or value toward which to
The glut of images directs us to the here and now, to something
immediately useful in the moment; the ideal directs
us to something above and beyond, to something the utility of which may not be
readily apparent or invisible.
In the opinion of
Daniel J. Boorstin
the 'Graphic Revolution' was a moral revolution as well because it
replaced aspiration with gratification.
Print demanded ratiocination.
"To engage the written word means to follow a line of thought which requires
considerable powers of classifying, inference making and reasoning," Neil
Postman wrote in Amusing Ourselves to Death.
It followed that a
predominantly print-based society, as America's was until the late 19th
century, while not necessarily one coruscating with intellectual brilliance,
nevertheless was one in which logic,
order and context prevailed.
An image-based society, on the other
hand, dispensed with all these because images did not demand them. How much
logical discipline did one need to recognize a
image?" - Neil Gabler
This web site is not a commercial web site and
is presented for educational purposes only.
This website defines a new
perspective with which to engage reality to which its author adheres. The
author feels that the falsification of reality outside personal experience has
created a populace unable to discern propaganda from reality and that this has
been done purposefully by an international corporate cartel through their
agents who wish to foist a corrupt version of reality on the human race.
Religious intolerance occurs when any group refuses to tolerate religious
practices, religious beliefs or persons due to their religious ideology. This
web site marks the founding of a system of philosophy named The Truth of the
Way of Life - a rational gnostic mystery religion based on reason which
requires no leap of faith, accepts no tithes, has no supreme leader, no church
buildings and in which each and every individual is encouraged to develop a
personal relation with the Creator and Sustainer through the pursuit of the
knowledge of reality in the hope of curing the spiritual corruption that has
enveloped the human spirit. The tenets of The Truth of the Way of Life are
spelled out in detail on this web site by the author. Violent acts against
individuals due to their religious beliefs in America is considered a "hate
This web site in no way condones violence. To the contrary the
intent here is to reduce the violence that is already occurring due to the
international corporate cartels desire to control the human race. The
international corporate cartel already controls the world economic system,
corporate media worldwide, the global industrial military entertainment complex
and is responsible for the collapse of morals, the elevation of self-centered
behavior and the destruction of global ecosystems. Civilization is based on
cooperation. Cooperation does not occur at the point of a gun.
social mores and values have declined precipitously over the last century as
the corrupt international cartel has garnered more and more power. This power
rests in the ability to deceive the populace in general through corporate media
by pressing emotional buttons which have been preprogrammed into the population
through prior corporate media psychological operations. The results have been
the destruction of the family and the destruction of social structures that do
not adhere to the corrupt international elites vision of
a perfect world. Through distraction and
coercion the direction of thought of the bulk of the population has been
directed toward solutions proposed by the corrupt international elite that
further consolidates their power and which further their purposes.
views and opinions presented on this web site are the views and opinions of
individual human men and women that, through their writings, showed the
capacity for intelligent, reasonable, rational, insightful and unpopular
thought. All factual information presented on this web site is believed to be
true and accurate and is presented as originally presented in print media which
may or may not have originally presented the facts truthfully. Opinion and
thoughts have been adapted, edited, corrected, redacted, combined, added to,
re-edited and re-corrected as nearly all opinion and thought has been
throughout time but has been done so in the spirit of the original writer with
the intent of making his or her thoughts and opinions clearer and relevant to
the reader in the present time.
Fair Use Notice
This site may contain copyrighted material the use of which has
not always been specifically authorized by the copyright owner. We are making
such material available in our efforts to advance understanding of criminal
justice, human rights, political, economic, democratic, scientific, and social
justice issues, etc. We believe this constitutes a 'fair use' of any such
copyrighted material as provided for in section 107 of the US Copyright Law. In
accordance with Title 17 U.S.C. Section 107, the material on this site is
distributed without profit to
those who have expressed a prior interest in receiving the included information
for research and educational purposes. For more information see:
www.law.cornell.edu/uscode/17/107.shtml. If you wish to use copyrighted
material from this site for purposes of your own that go beyond 'fair use', you
must obtain permission from the copyright owner.
© Lawrence Turner
All Rights Reserved