"Stories have their own life
Stories that were once
true and potent grow old and infirm.
This is happening to
the great myths of Western
In particular, two related stories have built the
world we know today, and both of them are nearing their end.
The first of these world-creating stories is the
Story of Ascent.
has risen from a state of
nature, a state of scientific
ignorance and technological impotence, to becoming
nature's lords and masters.
We have harnessed natural forces,
mysteries of the universe, overcome
natural limitations with
The story claims that one day our understanding and
control of nature will be complete,
thanks to nanotechnology,
zero-point energy, social and
second defining story of Western civilization is our
Story of Self:
we are discrete and separate
beings living in an objective universe.
Few people today greet the
Story of Ascent with the same
near-universal fervor of, say, the 1950s, as all the promises of technotopia
(the end of disease, unlimited energy, a leisure society, space colonies) fade
ascent, is the new
paradigm, and this collapse ushers in new realization of connectedness, of
interdependency, and along with it the end of the story of the discrete and
The independent, unencumbered man of reason no longer
beckons as an ideal: we crave
story is defined as a narration, account, report or recital regarding the
aspects of an event or a series of past events, either true or
Seven basic plots tell the human tale.All revolve around the Journey to
Tales have been historically told to relate experience to
those without it.
hero, on behalf of a community, sets out
to slay Malevolence.
Malevolence personifies the dark power of the
Rags to RichesSelfish figures
overshadow the disregarded
The hero is eventually revealed as a miracle worker in the
The hero struggles to reach a far off priceless
In the end the power of
darkness is overcome,
treasure is secured and the kingdom is
Journey and Return
The hero drops out of
a familiar world into dystopia.
Its strangeness, at first exhilarating, gradually turns to nightmare
in a final thrilling escape, the hero
return to where he began.
this is confusion remaining
Misunderstanding is finally
resolved as darkness gives way to
A hero initially enjoys
dreamlike success but gradually the
dream turns into nightmare through the
dark power of the ego.
A hero is imprisoned by a
egotistical power in a state of
similar to the living death that encompasses
all who strive
endlessly for material
Eventually the hero is liberated by
a redeeming figure, to end yet
again on an
image of light
triumphing over darkness,
Understanding how each of these plots
work is the gateway to unraveling the
mystery of how stories work, and why
we tell them.
shape an instinctive drive to create and follow stories.
legends, myths and fables that survive
the centuries all follow one of the seven basic plots of
Rags to Riches,
Voyage and Return,
Tragedy and Rebirth.
ending that resonates with all humankind is
the archetypical image of a man and a
woman together triumphing over darkness, which is still the most
completely resolved happy
ending to any narrative.
"There is intrinsic value in our myths, and if our
children studied them earnestly, they would see elements common to all myths
They would learn that the
Babylonians had many
creation myths and that the most famous one was not about
Marduk but about
a garden, the first garden:
the Judeo-Christian biblical creation myth has its roots in Babylonian myth."-
Legend is defined as:
A popular cultural narrative accepted as
illustrating cultural ideals and
A traditional cultural
narrative explaining aspects of the symbiotic relation by
delineating the psychology,
morals, ethics, traditional customs and
ideals of a culture through
descended gods and
larger than life heroes
that serve as archetypes in the
the social cultural
legenda story about human avatars
a narrative of romanticized
an unverified historical narrative
unsubstantiated by the
historical record that may or may not be originally based on a fable or
Legend suggest there was a queen named Scheherazade who had
been captured and sentenced to death by the Sultan Schahriah of Arabia.
In order to save her life she told him tales of intrigue and adventure,
stopping at the most exciting part, so he would have to keep her
alive for one more
night to hear the ending of the fable.
The legend states that after 1,001 nights, the Sultan granted her
freedom and she became his wife.
She then recorded the fables so all
could enjoy them.
These fables included 'Sinbad the Sailor', 'Ali Baba
and The Forty Thieves', 'The Barber's
story of his First Brother', 'The story of the Husband and the
Parrot' and 'Aladdin and the
Legend comes from the Latin adjective legenda, "for
reading, to be read," which referred only to written narratives, not to
traditional tales transmitted
orally from generation to generation.
This restriction also applied
to the English word legend when it was first used in the late 14th century in
reference to written accounts of saints' lives, but ever since the 15th century
legend has been used to refer to traditional narrative myths as
We now speak of the legendary accomplishments of a major-league
baseball star or the legendary voice of a famous
opera singer, anyone or anything whose fame promises to be
a deliberately improbable account;
a tale of legendary exploits;
tale told to excite wonder;
an imaginative tale, intended to instruct and
a short mythical
narrative of supernatural events;
a short moral tale (often with animal
moral narrative making cautionary or
a connected series of events,
forming the subject of an epic or dramatic poem.
narration often employing animal characters that speak and act like humans
intended to enforce some useful truth
a short narrative;
common talk with a central
a rumor or
piece of gossip, often malicious or untrue;
a narrative that relates the details of
some real or imaginary event or incident;
an incredible or misleading fable for children using
fantastic accounts to create desired behavior.
Aesop was a storyteller and
philosopher who lived in
ancient Greece around 300 BC.
Many of his fables feature animals as
main characters, facing the same situations humans face everyday.
Aesop's fables showed how a human problem can be solved or how a human
lesson is learned.
They typically dealt with
emotions such as jealousy,
lying and were designed for the
enlightenment and amusement of children as a stepping stone to
the Greek pantehon of gods.
Christian Anderson, who lived in Denmark in the 19th century, as a child was
considered ugly and had very few friends.
As a 'loner' he
read quite a bit and dreamed
At 14 years of age Hans moved to Copenhagen and tried his
hand as an actor when his father died.
At the age of 30, he decided to
write down the tales he had been collecting and telling to children across the
countryside to pay for his travels.
These tales, such as "The Princess
and the Pea", "The Emperor's New
Clothes" and "The Ugly Duckling" became treasured classical moral fables
told to all of the Creator and Sustainer's children.
Jacob and Wilhelm
Grimm were brothers who lived
in Germany in the 19th century.
After their parents died, the brothers
traveled around the country and gathered tales from the local inhabitants.
Upon the publication of the tales they had gathered, the brothers
Included in their collection of stories are "The Wolf and the Fox", "Hansel and
White and the Seven Dwarves".
The fables of Aesop, Hans Christian
Anderson and Jacob and Wilhelm Grimm became intertwined within Western culture,
enriching and enhancing lives with entertaining fables bearing
parableA short fictitious narrative
illustrating a moral or religious lesson.
A short moral tale often with animal
characters as in Aesop's fables.
A placing beside; a comparison;
equivalent to the Hebrew mashal, a similitude.
A short allegorical
story designed to illustrate or teach some truth, religious principle, or
statement or comment that conveys a meaning indirectly by the use of
comparison, analogy or metaphor.
Instruction through parables has been in
use from before recorded history and this comprises the Oral
This web site is not a commercial web site and
is presented for educational purposes only.
This website defines a
new perspective with which to engage reality to which its author adheres. The
author feels that the falsification of reality outside personal experience has
forged a populace unable to discern propaganda from reality and that this has
been done purposefully by an international corporate cartel through their
agents who wish to foist a corrupt version of reality on the human race.
Religious intolerance occurs when any group refuses to tolerate religious
practices, religious beliefs or persons due to their religious ideology. This
web site marks the founding of a system of philosophy named The Truth of the
Way of the Lumière Infinie - a rational gnostic mystery religion based
on reason which requires no leap of faith, accepts no tithes, has no supreme
leader, no church buildings and in which each and every individual is
encouraged to develop a personal relation with the Creator and Sustainer
through the pursuit of the knowledge of reality in the hope of curing the
spiritual corruption that has enveloped the human spirit. The tenets of The
Truth of the Way of the Lumière Infinie are spelled out in detail on
this web site by the author. Violent acts against individuals due to their
religious beliefs in America is considered a "hate crime."
This web site
in no way condones violence. To the contrary the intent here is to reduce the
violence that is already occurring due to the international corporate cartels
desire to control the human race. The international corporate cartel already
controls the world economic system, corporate media worldwide, the global
industrial military entertainment complex of America and is responsible for the
collapse of morals, the elevation of self-centered behavior and the destruction
of global ecosystems. Civilization is based on coöperation.
Coöperation does not occur at the point of a gun.
mores and values have declined precipitously over the last century as the
corrupt international cartel has garnered more and more power. This power rests
in the ability to deceive the populace in general through corporate media by
pressing emotional buttons which have been preprogrammed into the population
through prior mass media psychological operations. The results have been the
destruction of the family and the destruction of social structures that do not
adhere to the corrupt international elites vision of
a perfect world. Through distraction and
coercion the direction of thought of the bulk of the population has been
directed toward solutions proposed by the corrupt international elite that
further consolidates their power and which further their purposes.
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individual human men and women that, through their writings, showed the
capacity for intelligent, reasonable, rational, insightful and unpopular
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thoughts have been adapted, edited, corrected, redacted, combined, added to,
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