"The brain has a strong propensity
to organize information
perception in patterns, and music plays into that
From an acoustical perspective, music is an
overstructured language, which the brain invented and which the brain loves to
hear." - Michael Thaut
heaven, which is the archetypal organ of music, appears to have been arranged
in a most perfect manner, for no other object except that the hymns sung to the
honour of the Father of the
Universe, might be attuned in a musical manner."
Music moves people of all
cultures due to patterns of synchronized
activity in several brain areas which, put quite simply, produce
1859 French government commission makes a law that all
musicians tune to A=435
1896 A=439 Hz becomes the recognized pitch
standard in Britain.
Federation of Musicians, motivated by a grant provided by the Rockefeller
Foundation push for A=440Hz tuning standard.
The initial effort
has limited success in America and in Europe nearly no impact.
Promotions continued as A=440Hz is perceived as less pleasant, or dull,
to most musicians.
1930s Broadcasting industry
makes a push towards total standardization of concert pitch in Europe and North
1936 US time and frequency station WWV
begins broadcasting a 440 Hz signal at two minutes past every hour, with WWVH
broadcasting the same tone at the first minute past every hour.
1938 Rockefeller Foundation starts funding research to
understand the effects of the new forms of radio entertainment on society.
"The Princeton Radio Project, a social research project funded
by the Rockefeller Foundation directed by Paul Lazarsfeld
(Austrian-American founder of 20th-century empirical sociology), Hadley Cantril
(Princeton Austrian émigré psychologist) and Frank Stanton, Ph.D.
( American Board of Professional Psychology; A Critique of Present
Methods and a New Plan for Studying Radio Listening Behavior researcher,
then president of CBS, Rand Corporation) focus: studying
effects of radio upon the
Theodor Adorno, a critical
theorist whom Lazarsfeld invited to join the Princeton Radio Project ran
into several problems during his research.
Lazarsfeld brought Adorno
into the project hoping that he could bridge the gap between American and
European approaches to research.
Adorno, however, sought to understand
not simply the effects of radio in
mass communications, but the
role played by the "researcher" - or "expert" - in the social order itself.
This put him in direct conflict with the project and its philosophy.
For Adorno, wrote Slack and Allor, "not only the processes of
communication but the practice of communication research itself had to be
Reflecting upon his experience some decades later,
Adorno wrote that, "there appeared to be little room for such social research
in the framework of the Princeton Project."
He noted: "Its charter,
which came from the Rockefeller Foundation, expressly stipulated that
the investigations must be performed within the limits of the commercial radio
system prevailing in the United States."
Thus, "the system itself, its
cultural and sociological consequences and its social and economic
presuppositions were not to be analyzed
I was disturbed." - Andrew
1939 "British Standards
Institute (BSI) adopts the A=440Hz standard promoted by the Rockefeller-Nazi
consortium at a 1939 international conference held in London." - Lynn
Foundation funding established the standard militarized musical tuning
of A=440Hz frequency.
James Tobias reviewed Rockefeller Foundation archives, and
documented investigations leading to psychological warfare applications of
acoustic vibrations, ultimately advanced militarily and
Harold Burris-Meyer, an audio engineer, was known for
providing consulting services to Muzak Corporation used to optimize sound
installations in factories for emotional motivation of
workers to not be adversely
effected by factory noise.
The Rockefeller Foundation along
with the US Navy and National Defense Research Committee, acoustic energy
researchers, including Burris-Meyer .
Burris-Meyer was commissioned
to build speaker arrays deployed on warplanes such that enemy combatants could
be addressed from the air in the attempt to produce psycho-emotional affects
leading to "mass
Burris-Meyer became convinced that "audio control of
human emotions was possible for a large enough portion of an audience
to provide effective crowd
control a line of research," that John Marshall, "ultimately found
irrelevant for understanding the artistic or cultural values of music
but obviously fulfilled a military objective.
This bioenergetic research in
acoustic science focused on producing the social impacts of emotional arousal
and even mass hysteria from sound effects.
"The clear interest here
seems to be in the 'dramatic' use emphasized in bringing audiences, with the
use of the 'sensory appeal' of sound effects, to states of 'mass hysteria.'" -
"Preliminary research and analysis by Walton, Koehler,
Reid, et al. confirms A=440Hz frequency music conflicts with human chakra
energy centers from the heart to the base of the spine. The A=440Hz frequency
vibration scale stimulates ego and left
brain function, suppressing the "heart-soul" link,
creative inspiration." -
Leonard G. Horowitz
alternatives have been suppressed even though A=444Hz (C(5)=528Hz) analysis
found this frequency more compatible with nature and more pleasant to listen
If humanity were to be optimally suppressed spiritually, the musical
tuning of A=444Hz would be neglected as it has been.
Religious leaders suppressed the original Solfeggio
musical scale in which A=444Hz, virtually equivalent to C(5)=528Hz, is the "MI"
tone or "MIracle" note played by the
by Tobias as subscribing to the bioenergetic epistemologies described by
In India, the origin of solmization was to be found in Vedic
texts like the Upanishads, which discuss a musical system of seven notes,
realized ultimately in what is known as sargam.
In Indian classical
music, the notes in order are: sa, re, ga, ma, pa, dha, and
Solmization is a system of attributing a distinct syllable to each
note in a musical scale. Various forms of solmization are in use and have been
used throughout the world, but solfège is the most common convention in
Europe and North America.
The seven syllables normally used for this
practice in English-speaking countries are: do, re, mi, fa, sol, la, and ti
(with a chromatic scale of ascending di, ri, fi, si, li and descending te, le,
se, me, ra).
The use of a seven-note diatonic musical scale is ancient,
though originally it was played in descending order.
uses syllables derived from the Greek alphabet to name notes: starting with C,
the notes are ni (eta), pa (alpha), vu' (beta), ga (gamma), di (delta), ke
(epsilon), zo (zeta).
In Japanese music, the first line of Iroha, an
ancient poem used as an "ABC" of traditional kana, is used for solmization. The
syllables representing the notes A, B, C, D, E, F, G are i, ro, ha, ni, ho, he,
In Indonesia, Javanese musicians derive syllables from
numbers; ji-ro-lu-[pi]-ma-nem (siji, loro, telu, [papat, normally skipped in
pentatonic scales], lima, enem).
In music theory, the tritone is
strictly defined as a musical interval composed of three adjacent whole tones.
For instance, the interval from F up to the B above it (in short, FB) is
a tritone as it can be decomposed into the three adjacent whole tones FG,
GA, and AB. According to this definition, within a diatonic scale
there is only one tritone for each octave. For instance, the above-mentioned
interval FB is the only tritone which can be formed using the notes of
the C major scale.
A tritone is also commonly defined as an interval
spanning six semitones. According to this definition, a diatonic scale contains
two tritones for each octave. For instance, the above-mentioned C major scale
contains the tritones FB (from F to the B above it, also called augmented
fourth) and BF (from B to the F above it, also called diminished fifth,
semidiapente, or semitritonus).
In classical music, the tritone is a
harmonic and melodic dissonance and is important in the study of musical
The tritone can be used to avoid traditional tonality: "Any
tendency for a tonality to emerge may be avoided by introducing a note three
whole tones distant from the key note of that tonality."
the tritone found in the dominant seventh chord helps
establish the tonality of a
composition. These contrasting uses exhibit the flexibility, ubiquity, and
distinctness of the tritone in music.
The condition of having tritones
is called tritonia; that of having no tritones is atritonia. A musical scale or
chord containing tritones is called tritonic; one without tritones is
The Augmented 4th, or Tritonus, which spans three whole steps
in the scale, is one of the most dissonant musical intervals around. It was
considered unpleasant and ugly, and was named "diabolus in musica", "the devil
in music" or the Devil's Interval.
The Devil's Interval enjoyed great
popularity among composers in the 19th Century, when "you have got lots of
presentations of evil built around the tritone".
"It can sound very
spooky. It depends on how you orchestrate. It is also quite exciting," says
Professor Deathridge. "[Wagner's] Gotterdammerung has one of the most exciting
scenes - a 'pagan', evil scene, the drums and the timpani. It is absolutely
terrifying, it is like a black mass. There is a big connection between heavy
rock music and Wagner. They have cribbed quite a lot from 19th Century music."
A modern advocate of the tritone is Black Sabbath - the rock outfit led
by Ozzy Osbourne - particularly in their signature song, Black Sabbath, a
milestone in the genesis of heavy metal.
Western Civilization has chosen descension focusing on the lower
centers of consciousness like those of power, wealth and pleasure as opposed to
focusing on ascension by tickling
the higher centers of compassion, empathy and selflessness.
engaged in a "conspiracy
reality" in which ultimate power and control is waged bioenergetically
(i.e., biospiritually), through
frequency modulations or
electromagnetic manipulations affecting "consciousness" and impacting biology,
physiology, and human behavior.
Harmony is created by notes sounding
together at frequencies which are in proportion to each other. The proportions
can be expressed by numbers. Low numbers produce consonant harmonies, and
higher numbers give rise to dissonance.
For example, if two notes an
octave apart are sounded together, the frequency of the upper note is exactly
double that of the lower. In numerical terms, upper doh over lower doh = 2:1.
The sound is clear, pure and open.
Sound sol above doh (the perfect
fifth) and the proportion is 3:2.
This sound is brilliant, confident.
Sound fa over doh (the perfect fourth) and this gives 4:3.
word "amen" is often set to these notes.
These two intervals are
inversions of each other: doh above sol gives 4:3 and doh over fa gives 3:2.
Mi over doh (the major third) is 5:4, a lovely interval expressing
warmth, gentleness, "togetherness" and much more; its inversion, doh over mi
(the minor sixth) gives 8:5, a curiously astringent but also beautiful
Doh over la (the minor third) gives 6:5; and la over doh (the
major sixth) gives 5:3 - two more beautiful harmonies.
In music, a consonance (Latin
con-, "with" + sonare, "to sound") is a harmony, chord, or interval considered
stable (at rest), as opposed to a
dis-, "apart" + sonare, "to sound"), which is considered unstable (or
In more general usage, a
consonance is a combination of notes
that sound pleasant to most people when played at the same time; dissonance is
a combination of notes that sound harsh or unpleasant to most people.
This is a cultural concept as music other than European tradition,
e.g., Balkan, Arabic, Chinese, do not follow this definition.
Solfeggio Frequencies include:
UT 396 Hz Liberating Guilt
RE 417 Hz Undoing Situations and Facilitating
MI 528 Hz Transformation and Miracles (DNA Repair)
FA 639 Hz Connecting/Relationships
LA 852 Hz Awakening
Intuition and Returning to Spiritual Order
The Frequency of the Voice of
Compassion of the Sustainer MI is 528 Hz - the "Miracle" note of the original
Solfeggio musical scale.
Independently confirmed by researchers, this
core creative frequency was used by ancient priests and
healers in advanced
civilizations to manifest healing miracles.
Math scientist Victor
Showell describes 528 as fundamental to the ancient Pi, Phi, and the Golden
Mean evident throughout natural design. Vic Showell and John Stuart Reid (a
pioneer in acoustic research and cymatic measurements) have proven that 528 is
essential to the sacred geometry of circles and spirals consistent with DNA
structuring and hydrosonic restructuring.
Schumann resonance is
a global electromagnetic
resonance, which has its origin in electrical discharges of lightning
within the cavity existing between the Earth's surface and the ionosphere. This
cavity resonates with electromagnetic waves in
the extremely low frequencies of approximately 7.86Hz
Conscious thought waves created by the human brain range from
12.5Hz to 40Hz. This range only includes certain types of dendrites belonging
to brain cells predominantly within the left (the more rational) hemisphere of
the brain, which is the center of activity.
The two hemispheres of our
brain become synchronized with each other at Alpha-Theta border (7Hz -
8Hz), they work more harmoniously and with a maximum flow of information.
The frequency of 8Hz seems to be the key to the full and sovereign
activation potential of our brain. It is at the Alpha-Theta border where we can
reprogram our DNA to heal.
8Hz is the frequency of the double helix in
DNA replication. Melatonin and Pinoline work on the DNA, inducing an 8Hz signal
to enable metosis and DNA replication. A form of body temperature
superconductivity is evident in this process.
Our survey is incomplete
without mentioning that the sound of 432 Hz is the sound of the vocalization of
Om - the harmonic intonation of nature.
Pulling back the
Veil of Cognitive
Blindness by softly vocalizing the harmonic intonation of nature - Om -
relax and tune yourself back into Nature.
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presented for educational purposes only.
This website defines a
new perspective with which to engage reality to which its author adheres. The
author feels that the falsification of reality outside personal experience has
forged a populace unable to discern propaganda from reality and that this has
been done purposefully by an international corporate cartel through their
agents who wish to foist a corrupt version of reality on the human race.
Religious intolerance occurs when any group refuses to tolerate religious
practices, religious beliefs or persons due to their religious ideology. This
web site marks the founding of a system of philosophy named The Truth of the
Way of the Lumière Infinie - a rational gnostic mystery religion based
on reason which requires no leap of faith, accepts no tithes, has no supreme
leader, no church buildings and in which each and every individual is
encouraged to develop a personal relation with the Creator and Sustainer
through the pursuit of the knowledge of reality in the hope of curing the
spiritual corruption that has enveloped the human spirit. The tenets of The
Truth of the Way of the Lumière Infinie are spelled out in detail on
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religious beliefs in America is considered a "hate crime."
This web site
in no way condones violence. To the contrary the intent here is to reduce the
violence that is already occurring due to the international corporate cartels
desire to control the human race. The international corporate cartel already
controls the world economic system, corporate media worldwide, the global
industrial military entertainment complex and is responsible for the collapse
of morals, the elevation of self-centered behavior and the destruction of
global ecosystems. Civilization is based on coöperation. Coöperation
does not occur at the point of a gun.
American social mores and values
have declined precipitously over the last century as the corrupt international
cartel has garnered more and more power. This power rests in the ability to
deceive the populace in general through corporate media by pressing emotional
buttons which have been preprogrammed into the population through prior mass
media psychological operations. The results have been the destruction of the
family and the destruction of social structures that do not adhere to the
corrupt international elites vision of a
perfect world. Through distraction and coercion the direction of thought of
the bulk of the population has been directed toward solutions proposed by the
corrupt international elite that further consolidates their power and which
further their purposes.
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