Music moves people of all cultures due to patterns
of synchronized activity in several brain areas which, put quite simply,
1859 French government commission makes a
law that all musicians tune to A=435 Hz.
A=439 Hz becomes the recognized pitch standard in Britain.
American Federation of Musicians, motivated by a grant provided by the
Foundation push for A=440Hz tuning standard.
The initial effort has
limited success in America and in Europe nearly no impact.
continued as A=440Hz is perceived as less pleasant, or dull, to most
1930s Broadcasting industry makes a
push towards total standardization of concert pitch in Europe and North
1936 US time and frequency station WWV
begins broadcasting a 440 Hz signal at two minutes past every hour, with WWVH
broadcasting the same tone at the first minute past every hour.
1938 Rockefeller Foundation starts
funding research to find the effects of new forms of mass media on society,
"The Princeton Radio Project, established with
Rockefeller funding and directed by Paul Lazarsfeld, Cantril, and Stanton,
focused on studying the uses and effects of radio communications upon the
population, and almost exclusively led to the field of mass communications
research. Theodor Adorno, a critical theorist whom Lazarsfeld invited to join
the Princeton Radio Project ran into several problems during his research with
his associates. Lazarsfeld brought Adorno into the project hoping that he could
bridge the gap between American and European approaches to research. Adorno,
however, sought to understand not simply the effects of radio in mass
communications, but the role played by the "researcher" - or "expert" - in the
social order itself. This put him in direct conflict with the project and its
philosophy. For Adorno, wrote Slack and Allor, "not only the processes of
communication but the practice of communication research itself had to be
viewed critically." Reflecting upon his experience some decades later, Adorno
wrote that, "there appeared to be little room for such social research in the
framework of the Princeton Project." He noted: "Its charter, which came from
the Rockefeller Foundation, expressly stipulated that the investigations must
be performed within the limits of the commercial radio system prevailing in the
United States." Thus, "the
system itself, its cultural and sociological consequences and its social and
economic presuppositions were not to be analyzed
I was disturbed." -
Andrew Gavin Marshall
1939 "British Standards
Institute (BSI) adopts the A=440Hz standard promoted by the Rockefeller-Nazi
consortium at a 1939 international conference held in London." - Lynn
Foundation funding established the standard militarized musical tuning of
James Tobias reviewed
archives, and documented investigations leading to psychological warfare
applications of acoustic vibrations, ultimately advanced militarily and
Harold Burris-Meyer, an audio engineer, was known for
providing consulting services to Muzak Corporation used to optimize sound
installations in factories for emotional
motivation of workers to not
be adversely effected by factory noise.
Foundation along with the US Navy and National Defense Research Committee,
acoustic energy researchers, including Burris-Meyer .
commissioned to build speaker arrays deployed on warplanes such that enemy
combatants could be addressed from the air in the attempt to produce
psycho-emotional affects leading to "mass
Burris-Meyer became convinced that "audio control of
human emotions was possible for a large enough portion of an audience
to provide effective crowd control a line
of research," that John Marshall, "ultimately found irrelevant for
understanding the artistic or cultural values of music
" but obviously
fulfilled a military objective.
This bioenergetic research in
acoustic science focused on producing the social impacts of emotional arousal
and even mass hysteria from sound effects.
"The clear interest here
seems to be in the 'dramatic' use emphasized in bringing audiences, with the
use of the 'sensory appeal' of sound effects, to states of 'mass hysteria.'" - James
"Preliminary research and analysis by Walton, Koehler, Reid, et
al. confirms A=440Hz frequency music conflicts with human chakra energy centers
from the heart to the base of the spine. The A=440Hz frequency vibration scale
stimulates ego and left brain function,
suppressing the "heart-soul" link, intuition and creative inspiration." -
Leonard G. Horowitz
alternatives have been suppressed even though A=444Hz (C(5)=528Hz) analysis
found this frequency more compatible with nature and more pleasant to listen
If humanity were to be optimally suppressed spiritually, the musical
tuning of A=444Hz would be neglected as it has been.
Religious leaders suppressed the original Solfeggio
musical scale in which A=444Hz, virtually equivalent to C(5)=528Hz, is the "MI"
tone or "MIracle" note played by the
referenced by Tobias as subscribing to the bioenergetic epistemologies
described by Helmholtz.
In India, the origin of solmization was to be
found in Vedic texts like the Upanishads, which discuss a musical system of
seven notes, realized ultimately in what is known as sargam.
classical music, the notes in order are: sa, re, ga, ma, pa, dha, and
Solmization is a system of attributing a distinct syllable to each
note in a musical scale. Various forms of solmization are in use and have been
used throughout the world, but solfège is the most common convention in
Europe and North America.
The seven syllables normally used for this
practice in English-speaking countries are: do, re, mi, fa, sol, la, and ti
(with a chromatic scale of ascending di, ri, fi, si, li and descending te, le,
se, me, ra).
The use of a seven-note diatonic musical scale is ancient,
though originally it was played in descending order.
uses syllables derived from the Greek alphabet to name notes: starting with C,
the notes are ni (eta), pa (alpha), vu' (beta), ga (gamma), di (delta), ke
(epsilon), zo (zeta).
In Japanese music, the first line of Iroha, an
ancient poem used as an "ABC" of traditional kana, is used for solmization. The
syllables representing the notes A, B, C, D, E, F, G are i, ro, ha, ni, ho, he,
In Indonesia, Javanese musicians derive syllables from
numbers; ji-ro-lu-[pi]-ma-nem (siji, loro, telu, [papat, normally skipped in
pentatonic scales], lima, enem).
In music theory, the tritone is
strictly defined as a musical interval composed of three adjacent whole tones.
For instance, the interval from F up to the B above it (in short, FB) is
a tritone as it can be decomposed into the three adjacent whole tones FG,
GA, and AB. According to this definition, within a diatonic scale
there is only one tritone for each octave. For instance, the above-mentioned
interval FB is the only tritone which can be formed using the notes of
the C major scale.
A tritone is also commonly defined as an interval
spanning six semitones. According to this definition, a diatonic scale contains
two tritones for each octave. For instance, the above-mentioned C major scale
contains the tritones FB (from F to the B above it, also called augmented
fourth) and BF (from B to the F above it, also called diminished fifth,
semidiapente, or semitritonus).
In classical music, the tritone is a
harmonic and melodic dissonance and is important in the study of musical
The tritone can be used to avoid traditional tonality: "Any
tendency for a tonality to emerge may be avoided by introducing a note three
whole tones distant from the key note of that tonality."
the tritone found in the dominant seventh chord helps establish the tonality of
a composition. These contrasting uses exhibit the flexibility, ubiquity, and
distinctness of the tritone in music.
The condition of having tritones
is called tritonia; that of having no tritones is atritonia. A musical scale or
chord containing tritones is called tritonic; one without tritones is
The Augmented 4th, or Tritonus, which spans three whole steps
in the scale, is one of the most dissonant musical intervals around. It was
considered unpleasant and ugly, and was named "diabolus in musica", "the devil
in music" or the Devil's Interval.
The Devil's Interval enjoyed great
popularity among composers in the 19th Century, when "you have got lots of
presentations of evil built around the tritone".
"It can sound very
spooky. It depends on how you orchestrate. It is also quite exciting," says
Professor Deathridge. "[Wagner's] Gotterdammerung has one of the most exciting
scenes - a 'pagan', evil scene, the drums and the timpani. It is absolutely
terrifying, it is like a black mass. There is a big connection between heavy
rock music and Wagner. They have cribbed quite a lot from 19th Century music."
A modern advocate of the tritone is Black Sabbath - the rock outfit led
by Ozzy Osbourne - particularly in their signature song, Black Sabbath, a
milestone in the genesis of heavy metal.
Western Civilization has chosen descension focusing on the
lower centers of consciousness like those of power, wealth and pleasure as
opposed to focusing on ascension
by tickling the higher centers of compassion, empathy and
We are engaged in a "conspiracy reality" in which
ultimate power and control is waged bioenergetically (i.e., biospiritually),
modulations or electromagnetic manipulations affecting "consciousness" and
impacting biology, physiology, and human behavior.
created by notes sounding together at frequencies which are in proportion to
each other. The proportions can be expressed by numbers. Low numbers produce
consonant harmonies, and higher numbers give rise to dissonance.
example, if two notes an octave apart are sounded together, the frequency of
the upper note is exactly double that of the lower. In numerical terms, upper
doh over lower doh = 2:1. The sound is clear, pure and open.
above doh (the perfect fifth) and the proportion is 3:2.
This sound is
Sound fa over doh (the perfect fourth) and this
The word "amen" is often set to these notes.
two intervals are inversions of each other: doh above sol gives 4:3 and doh
over fa gives 3:2.
Mi over doh (the major third) is 5:4, a lovely
interval expressing warmth, gentleness, "togetherness" and much more; its
inversion, doh over mi (the minor sixth) gives 8:5, a curiously astringent but
also beautiful interval.
Doh over la (the minor third) gives 6:5; and
la over doh (the major sixth) gives 5:3 - two more beautiful harmonies.
In music, a
consonance (Latin con-, "with" + sonare, "to sound") is a harmony, chord, or
interval considered stable (at rest), as opposed to a
dissonance (Latin dis-, "apart" +
sonare, "to sound"), which is considered unstable (or temporary, transitional).
In more general usage, a consonance is a combination of notes that
sound pleasant to most people when played at the same time; dissonance is a
combination of notes that sound harsh or unpleasant to most people.
This is a cultural concept as music other than European tradition,
e.g., Balkan, Arabic, Chinese, do not follow this definition.
Solfeggio Frequencies include:
UT 396 Hz Liberating Guilt
RE 417 Hz Undoing Situations and Facilitating
MI 528 Hz Transformation and Miracles (DNA Repair)
FA 639 Hz Connecting/Relationships
LA 852 Hz Awakening
Intuition and Returning to Spiritual Order
The Frequency of the Voice of
Compassion of the Sustainer MI is 528 Hz - the Miracle note of the
original Solfeggio musical scale.
Independently confirmed by
researchers, this core creative frequency was used by ancient priests and
healers in advanced
civilizations to manifest healing miracles.
Math scientist Victor
Showell describes 528 as fundamental to the ancient Pi, Phi, and the Golden
Mean evident throughout natural design. Vic Showell and John Stuart Reid (a
pioneer in acoustic research and cymatic measurements) have proven that 528 is
essential to the sacred geometry of circles and spirals consistent with DNA
structuring and hydrosonic restructuring.
Schumann resonance is
a global electromagnetic resonance,
which has its origin in electrical discharges of lightning within the cavity
existing between the Earths surface and the ionosphere. This cavity
resonates with electromagnetic waves
in the extremely low frequencies of approximately 7.86Hz
Conscious thought waves created by the human brain range from
12.5Hz to 40Hz. This range only includes certain types of dendrites belonging
to brain cells predominantly within the left (the more rational) hemisphere of
the brain, which is the center of activity.
The two hemispheres of our
brain become synchronized with each other at Alpha-Theta border (7Hz - 8Hz),
they work more harmoniously and with a maximum flow of information.
frequency of 8Hz seems to be the key to the full and sovereign activation
potential of our brain. It is at the Alpha-Theta border where we can reprogram
our DNA to heal.
8Hz is the frequency of the double helix in DNA
replication. Melatonin and Pinoline work on the DNA, inducing an 8Hz signal to
enable metosis and DNA replication. A form of body temperature
superconductivity is evident in this process.
Our survey is incomplete
without mentioning that the sound of 432 Hz is the sound of the vocalization of
Om - the harmonic intonation of nature.
Pulling back the
Veil of Cognitive
Blindness by softly vocalizing the harmonic intonation of nature - Om -
relax and tune yourself back into Nature.
This web site is not a commercial web site and is
presented for educational purposes only.
This website defines a
new perspective with which to engage reality to which its author adheres. The
author feels that the falsification of reality outside personal experience has
forged a populace unable to discern propaganda from reality and that this has
been done purposefully by an international corporate cartel through their
agents who wish to foist a corrupt version of reality on the human race.
Religious intolerance occurs when any group refuses to tolerate religious
practices, religious beliefs or persons due to their religious ideology. This
web site marks the founding of a system of philosophy named The Truth of the
Way of the Lumière Infinie - a rational religion based on reason which
requires no leap of faith, accepts no tithes, has no supreme leader, no church
buildings and in which each and every individual is encouraged to develop a
personal relation with the Creator and Sustainer through the pursuit of the
knowledge of reality in the hope of curing the spiritual corruption that has
enveloped the human spirit. The tenets of The Truth of the Way of the
Lumière Infinie are spelled out in detail on this web site by the
author. Violent acts against individuals due to their religious beliefs in
America is considered a "hate crime."
This web site in no way condones
violence. To the contrary the intent here is to reduce the violence that is
already occurring due to the international corporate cartels desire to control
the human race. The international corporate cartel already controls the world
economic system, corporate media worldwide, the global industrial military
entertainment complex and is responsible for the collapse of morals, the
elevation of self-centered behavior and the destruction of global ecosystems.
Civilization is based on cooperation. Cooperation does not occur at the point
of a gun.
American social mores and values have declined precipitously
over the last century as the corrupt international cartel has garnered more and
more power. This power rests in the ability to deceive the populace in general
through corporate media by pressing emotional buttons which have been
preprogrammed into the population through prior mass media psychological
operations. The results have been the destruction of the family and the
destruction of social structures that do not adhere to the corrupt
international elites vision of a perfect
world. Through distraction and coercion the direction of thought of the
bulk of the population has been directed toward solutions proposed by the
corrupt international elite that further consolidates their power and which
further their purposes.
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