stacks

dreamcatcher

Chinese charater for myth

myth : dreamtime


Dreams are wrapped up in imaginative speculation.

Certain characteristics of dreams are similar, no matter who is dreaming.

Dreamtime is when waking consciousness flees and you have a dream.

Dreaming relates to personal obstacles within general social problems initiated into every culture when the culture was founded.

Everyone has to pass over the threshold of personal self-limitation.

Dreamtime talks about permanent conditions within your own psyche as they relate to the physical conditions of your life now, at this moment.

Concern about overcoming an obstacle becomes a dream about failure.

Failure will be associated with other failures in your subconscious so the images may not relate to the current obstacle but rather reference it.

The dream is an inexhaustible source of spiritual information.

A personal dream carries a basic mythological theme.

To understand your dream all you have to do is remember.

Take one or two images or ideas and associate them.

The dream will be based on experiences with significance in your life that well up from your subconscious that you have not consciously resolved.

Soon the next dream will come along, and your interpretation will go further.

Dream interpretations have existed for millennium.

People of all cultures have succumbed to superstitious notions about dreams.

A dream, arising from the subconscious mind, is a personal experience of that deep ground that is the support of our conscious lives.



The myth is a social cultural dream.

A myth is a cultural dream and a dream is a private myth.

If your private myth, your dream, is not in accord with the culture, you are out of sync with your social culture.

Those out of sync are in for an adventure in the deep dark forest.

Visionaries have moved out of social cultural protection and into a reality broken down into basic elements, a reality of first hand experience.

Original experiences must be translated into cultural recognized symbols.

Forged in the fire of a new interpretation of reality you either see things anew or you become lost and must return to the known social interpretation.

Leave the culture's garden path and you find culturally difficult situations.

To embark on the Hero's Journey takes the courage to face cultural trials.

There is another, deeper understanding of dream time - which is of a time that is outside of time which is simply just an enduring state of being.



neverland - never was and never will be

Down Under

Alchera

Aboriginal time runs East to West

Biggest estate on earth: Aborigines made Australia

Aboriginal Australians: Most ancient civilization on Earth

Aboriginal memories date back more than 7,000 years


"Initiation is equivalent to introducing the novice to the mythical history of the tribe; in otherwords, the initiate learns the deeds of the beings outside time, who, in the dreamtime, established the present human condition and all the religious, social, and cultural institutions of the tribe.

All in all, to know this traditional lore means to know the adventures of the ancestors and other foundational beings when they inhabited Earth.

In Australia these adventures amount to little more than long wanderings during which beings of the dreamtime performed a certain number of acts.

Novices are obliged to retrace these mythical journeys during initiation.

They relive the primordial events of the dreamtime - perfecting Creation.

Mythical ancestors did not create the world; they transform it, giving it its present form; they do not create man, they civilize him." - Mircea Eliade




Ancient Aboriginal stories preserve history of a rise in sea level

Aboriginal legend on origin of Central Australian palm trees



The Dreaming is a sacred time outside living memory when ancestral heroes traveled across a formless land creating sacred sites and all the living things.


"Yingarna, the Earth Mother, came from the east.

She was carrying many string bags with lots of children inside.

She went to the floodplain on the other side of the East Alligator River.

She travelled all over scattering children everywhere.

Yingarna went back to the floodplain and circumcised the children.

They died afterwards.

So Western Arnhem Land tribes became non-circumcising peoples.

She went back to the east and circumcised the children she had left there.

They didn't die, so today those children are still circumcised.

Yingarna kept traveling around everywhere until all the children had been parceled out of her string bags.

String bags represent different tribes and languages." - Alison Nawirridj


All life is part of a vast and complex single network of relationships.

In this Dreaming lies the sacredness of the Earth.

The life spirit of a human being is connected with ancestors and the Earth.

Each human being is an incarnation of an original ancestral spirit.

This eternal spirit existed before the life of the individual begins, and continues to exist when the life of the individual ends.

Both before and after life an ancestral spirit exists in the Dreaming and is only initiated into life by being born through a mother.

At death, the disembodied ancestral spirit returns to the Dreaming to commune with the other disembodied ancestral spirits.

Every individual in an essential way exists eternally in the Dreaming.

When a mother feels a child move in the womb for the first time, it is the work of the ancestral spirit of the land in which the mother currently stood.

Upon birth the child is considered to be a special custodian, an axis mundi guardian, of this land and is taught the stories and songlines of that place.

Songlines travel across Australia, through up to ten different dialects.

Songlines are kept alive and frequently performed at large gatherings.

The expression 'Dreamtime' refers to the 'time before time', 'time outside of time' or 'the time of the creation of all things', as if this time was in the past.

But Dreaming in a real sense is also of the present and of the future.

Aboriginal people call Dreaming the all-at-once time because they experience it as the past, present, and future existing at the same time.

The everywhen of the Dreaming is considered to be objective, while linear time is considered a subjective creation of rational consciousness.

The Dreaming is often used to refer to spirituality.

The Dreaming stories are stories about creation of sacred places, landforms, people, animals and plants, law and tradition.

The Dreaming includes a complex network of knowledge, faith and practices derived from stories of creation dominating all aspects of Aboriginal life.

The Dreaming sets the structures of society, the rules for social behavior and the ceremonies performed in order to maintain the life of the land.

For the Hebrews the Dreamtime occurred in the Garden of Eden.

For the Persians the Dreamtime occurred in Paradise.

For the Greeks the Dreamtime occurred on Mount Olympus.

For nearly all cultures the Dreamtime happened a very long time ago.

Events occurring a very long time ago in the Dreamtime will remain deeply shrouded in a mysteriously hazy cloak of mist and fog throughout eternity.





Ngalyod

To the Gunwinggu, the Rainbow Serpent is Ngalyod, the great creation mother from whom the first people were born.

She is the great creator, ever since the Dreamtime, because she brings the Wet Season after the long Dry, which rejuvenates the land with plants and animals flourishing.

After rain she stands on her tail to reach high into the sky.

Ngalyod is a harsh mother, punishing severely those breaking her taboos or failing to observe the rituals associated with her Dreaming sites.

Borlung

Borlung is always male, and sometimes he is referred to as the son of Ngalyod.

As with Ngalyod, he is seen as a rainbow in the sky, sometimes over water, and even in the spray from a waterfall.

The Dalabon believe there are many Borlung, and they believe the Borlung are strongly linked to fertility.

The borlung snakes are common in waterholes, and one must enter a woman is she is to conceive.

When a person dies, the spirit will change back to a Borlung and return to the waterhole to await another woman it can enter as the spirit of the baby.

At the beginning of time, there was Jingana, the Mother.

Jingana grew 2 large eggs in her belly, one becoming the male serpent Borlung, the other a female, Ngalkunburriyaymi, had an appearance more like that of a fish.

When represented in paintings, Ngalyod and Borlung are usually given snake forms, Jingana usually has a composite hermaphroditic appearance, having a head ornament of white cockatoo feathers, a beard, a serrated back like a crocodile, and her chest has a prominent bulge like a brisket bone.





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