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"While assimilation is a big concern in the Jewish
community, Arthur Asa Berger contends that, conversely, Jewish culture has
'Yiddishized' American humor.
'When the Jews disappear,' he joked, 'the
Jewish humor will be written by non-Jews because they've been Yiddishized and
they'll be able to carry it on.'" - Jewish Bulletin of Northern
California, June 5, 1998 "America has provided a
multitude of new conduits for traditional Jewish humor transmission: public
meetings and lectures, vaudeville, the Borscht Belt,
Broadway, nightclubs,
radio,
record albums,
movies, and most especially
television, as well as
widely circulating
books, newspapers, and
magazines.
America
has made available a popular
culture that has been not only open to Jews but positively inviting to
Jewish performers and Jewish
themes to a degree that was unimaginable in Eastern Europe.
There
has been, of course, a price to pay for accepting this invitation, which has
resulted in the parevezation, or
neutering, of much of the
material." - William Novak and Moshe Waldoks
"Joan Rivers' (Joan
Alexandra Molinsky) comic universe is a parade of crude 1970s-era stereotypes.
It is a realm in which the world belongs to
the rich and thin and where
the poor,
the obese, the aged and infirm
are pariahs to be ridiculed." - Australian Jewish News, February 24,
2003
It is impossible
to imagine what humor would be like in America today without the
contribution of Eastern
European Jews.
Most of
the comedy in America is
written, produced and performed by Jews and has been for the last century.
Those that find Yiddish
humor low brow will just have to leave America (love it or leave it!)
because Yiddish humor has permeated
American social culture.
Beginning in
vaudeville
crude Yiddish humor took
over Talmudwood in the
early days.
Yiddish humor developed slapstick with each performer
having his or her own shtick.
Think Harry Ritz, Jimmy Ritz, Al Ritz,
Leonard "Chico" Marx, Adolf "Harpo" Marx, Milton "Gummo" Marx, Herbert "Zeppo"
Marx, Julius Henry "Groucho"
Marx and Jerry Lewis (Joseph Levitch).
The
three stooges originally featured Moe Howard (Harry Moses Horwitz), brother
Shemp Howard (Samuel Horwitz), and longtime friend Larry Fine (Louis Feinberg).
"The Jewish style, with its heavy reliance upon Yiddish and
Yiddishisms, has emerged not only as a comic style, but as the comic style." -
Wallace Markfield, The Yiddishization of American Humor, Esquire
1965
Yiddish 'humor' is marked with the belittling of individuals and
individual beliefs, stereotyping of
any type of behavior that the Yiddish find offensive or look down on and
the quick wit that proves that the
target is an idiot while elevating the witty one to new heights of superior
cleverness.
Parents and
family structure is one of the favorite targets of Yiddish humor which
thumbs its nose at God,
respect for neighbors and
respect for any and all types
of thought that elevate humans above animals.
1921 Inkwell Studios,
founded by the Fleischer brothers, Max and Dave, is incorporated as an
animation studio located at 1600 Broadway, New York City, New York.
Max
and Dave animate Betty
Boop.
The grotesque
overt sexuality of Betty Boopeven is provocative when viewed in relation to
the lives of working
class Eastern European settler cousins.
Betty's initial
disappearance can be traced to the Hays Production Code
Office.
Mayer,
Laemmle, Goldwyn grouped themselves into the Motion Pictures Producers and
Distributors of America Inc and invited Will H. Hayes to preside over them.
They bought off criticism by purchasing
respectability.
1939 Martin Goodman founds Marvel
Comics.
The "Golden Age" of comics begins.
Hordes of young
Jewish writers and artists, most of them struggling settlers' sons, forged
armies of imaginary superheroes like Superman and Captain America, whose
mission was to wage war against Nazis and their ilk.
No one is more Jewish than Bugs
Bunny.
1948 Catholic schools conduct bonfires
of comic books.
1950s Yiddish dominated comic
book industry raised familiar issues - public concern that they are influential
in the degradation of morals and values.
"Corpses in various states of decay and reanimation
regularly adorned the covers." - Bradford W. Wright1954 The Yiddishization of
comedy left behind a social culture that laughs at the plight of
others.
"EC Comics offered something of a precursor to the upheaval of
the 1960s, questioning authority
before it became fashionable.
In perhaps the most notorious panel
printed by EC Comics, a murderous baseball
team plays a midnight game with
the limbs and entrails of a victim.
Little was left to the imagination.
Another issue depicted a
man holding a bloody ax in
one hand and a
woman's severed head in the other." - Jacob Heilbrunn
Comics Code
Authority (CCA) forms Comics Magazine Association of America as
an alternative to
government regulation, to allow the comic publishers to 'self-regulate' the
content of comic books in the United States.
The real heroes of
Marvel Comics are the two Israeli's at the corporate helm, Isaac (Ike)
Perlmutter and Avi Arad.
At Marvel the key players throughout the
decades, including Jack Kirby (Jacob Kurtzberg) and Stan Lee (Stanley Lieber)
creators of the Fantastic Four and Spider-Man, have been almost exclusively
Jewish.
"'It was no accident,' observes David Gilner, director of
Libraries for Hebrew Union College, 'that Bugs Bunny's animator was Fritz
Freleng, and his voice supplied by Mel Blanc - both of whom were Jewish.''' -
Cincinnati Post, April 21, 1997
1956
The concept of a
Superman,
Übermensch, is
expropriated by two young Jews, Jerry Siegel and Joe Schuster, from
the Father of Nazism and Zionism
Benjamin Disraeli.
US Senate investigates the matter, releasing a
report labeled "Comic Books and Juvenile Delinquency."
Senate document
notes that "on first impression, the present comic book industry would seem to
comprise many different publishing firms with no apparent relationship to one
another.
676 comic book titles examined are published by 111 companies
owned by only 121 persons or families in addition to 1 corporation.
The
majority of the publishers maintain editorial offices in New York
City."
Subsections of the report include "Techniques of Crime Taught
by Crime and Horror Comics," "Criminal Careers as Glamorous in Crime and
Horror Comic Books", and "Defenders of Law and Order Frequently
Represented as All Powerful Beings Who Kill and Commit Other Crimes to Defend
'Justice.'"
Yiddish comic book entrepreneurs singled out by the
report include direct-mail advertiser
Samuel Roth "who has for many
years been engaged in using the mail to advertise lewd and lascivious
material."
Alex Segal, also modeled, "testifies that 'by mistake' one
of his trays of addressograph plates bearing the names of 400 children was
routed to the publisher of sex literature."
In the listings of owners
and distributors of comic book businesses, among the best known are Marvel
Comic group (owners: Martin and Jean Goodman) and Archie Comic group
(owners: Maurice Coyne, John Goldwater, and Lewis H. Silberkleit).
EC Comics stops publishing everything except for the satirical
Mad Magazine.
William Gaines publishes only Mad Magazine;
editors Al Feldstein, Harvey Kurtzman; writers Frank Jacobs, Barry Leibmann,
Andrew J. Schwartzberg, Larry Siegel, Lou Silverstone.
William Gaines
produces "the greatest of the under-the-covers-with-a-flashlight genre."
These comics, featuring new explorations of gore, include Tales from
the Crypt, Weird Science, Shock Suspense stories,
Frontline Combat, "and a few other titles made the struggling
incorporation profitable.
"From 'Seinfeld' to 'Mad About
You' to 'Dharma and Greg' to 'The Larry Sanders Show,' Jewish
humor has infiltrated popular culture.
On television, Jewish humor is
the Trojan horse sneaked
into the living rooms of non-Jewish America." - Jewsweek,
2001
Israeli-born Haim Saban creates 'Teenage Mutant Ninja
Turtles'.
A few of the
Yiddish "comedic" performers that have so successfully upset the moral fabric
of America include:
Al Jolson, Jackie Mason (Yacov Moshe Maza), Ed Wynn
(Isaiah Edwin Leopold), Mae West (Mary Jane West), Zero Mostel (Samuel Joel
Mostel), Jack Benny (Benjamin Kubelsky), George Burns (Nathan Birnbaum), Milton
Berle (Mendel Berlinger), Eddie Cantor (Israel Iskowitz), Sid Caesar, Henny
Youngman, Howard Morris, Myron Cohen, Phil Silvers (Fischl Silver), Danny Kaye
(David Kaminsky), Red Buttons (Aaron Chwatt), Bud Abbott, Victor Borge
(Børge Rosenbaum), Oscar Levant, Mickey Katz, Mel Brooks (Melvin
Kaminsky), Don Rickles, Leonard Schneider (Lenny Bruce) , Marty Allen (Morton
Alpern), Roseanne Barr (Barsky), William Edward "Billy" Crystal, Jerry
Seinfeld, Jason Alexander, Adam Sandler, Charles Grodin, Harvey Korman, Marty
Feldman, Gilbert Gottfried, Gilda Susan Radner, Carl Reiner, Paul Reiser, Rita
Rudner, Robert Schimmel, Pauly Shore, Sarah Silverman, Rob Schneider, Ben
Stiller, Sam Seder, Frederick Alan "Rick" Moranis, Jon Stewart, Morey
Amsterdam, Lewis Black, Albert Brooks, Andrew Dice Clay (Andrew Dice
Silverstein), Randy Sklar, Jason Sklar, Rhea Perlman, Chelsea Handler, Sacha
Baron Cohen, Jack Black, Mel Blanc (Melvin Jerome Blank), "Professor" Irwin
Corey, Tom Arnold (Cohen), Andy Kaufman, Richard Lewis, Larry Miller, Paul
Reubens (Rubenfeld), Garry Shandling, Gene Wilder (Jerome Silberman), Shelley
Berman, Dustin Diamond, Tiny Tim (Herbert Khaury), Dan Ahdoot, Dave Attell, Jon
Stewart (Jonathan Stuart Leibowitz), Sandra Bernhard, Alex Borstein, David
Brenner, Steve Bernard Cohen, David Cross, Larry David, Wayne Federman, Jeff
Garlin, Andrew Ginsburg, Elon Gold, Judy Gold, Shecky Greene (Greenfield),
Robert Klein, John Lehr, Jan Murray, Jeffrey Ross, Andy Samberg, Al Shean, Jon
Lovitz, Oscar Levant, "Reverend" Bob Levy,
Marc Maron, Lorne
Michaels (Lorne David Lipowitz), Larry Miller, Bobby Slayton, Jerry Stiller,
Rich Vos,
Rodney Dangerfield,
Buddy Hackett, Alan King
(Irwin Alan Kniberg), Tony Randall (Arthur Leonard Rosenberg)
…
"June 8, 1967: I
was a 20 year old 3rd class petty officer in damage control at the time of this
sneak attack from our so-called ally, Israel.
We were identified as
American and friendly many hours before the slaughter began at 2:00 P.M.
Israeli jet aircraft were ruthless in their attempt to
murder all hands aboard.
They hit every
antennae on our ship, no accident for sure.
The Israeli reconnaissance
aircraft took pictures of our ship in the morning hours, nothing was missed.
Attacking aircraft dropped napalm on
the bridge of to burn us alive.
Soon after the jets we see 3 motor
torpedo boats approaching.
We then learned who our
attackers were.
We saw 3 flags marked with the
Star of David.
We were in shock because the
Israelis were supposed to be our allies!
We had had no idea who was
attacking us until then.
The attacking jet aircraft were unmarked.
The torpedo boats maneuvered themselves into a torpedo launch attitude.
Now come the 5 or 6 torpedoes!
The captain was doing his best
to maneuver the ship to avoid sudden death.
The torpedoes whizzed by our
ship, forward and aft with 1 hitting its mark.
Almost dead mid-ships, it
hits blowing to bits 25 American heroes.
The torpedo gunboats were not
even close to being done with us.
The torpedo gunmen shot at our fire
fighters and stretcher bearers.
They were shooting at our water line to
blow up the boilers inside.
The leaders of our
country who swore an oath to protect
this nation ordered the survivors of the LIBERTY to never repeat this piece of
history under penalty of jail or worse.
40 years ago,
another nation got away with cold-blooded murder on the high seas,
and as an American veteran, let me
say this for the record – NO ONE SHOULD BE ALLOWED TO GET BY WITH
COLD-BLOODED MURDER, AND ESPECIALLY NOT ISRAEL." - Phil Tourney 2007
The Israeli torpedo and
machine guns
took a terrible toll on the Liberty's crew, killing 34 and wounding 172.
The Establishment went along with the
cover-up of the attack on the US$
Liberty to avoid blaming Israel for the
murder of 34 American
servicemen.
Lt. James M. Ennes, Jr., an officer on the bridge of the US$
Liberty, wrote his first-hand account of the Israeli attack in Assault on the Liberty.
Lieutenant Ennes'
describes how Israeli torpedo boats repeatedly machine-gunned US$ Liberty
sailors fighting the napalm fires on deck and shot her life rafts in the water
while an oversize US flag flew from its mast.
"The Israeli planes and
gunboats spent more than one hour hitting us with rockets, napalm bombs,
torpedoes, cannon and
machine gun fire.
They
machine gunned firefighters on deck and shot life rafts out of the water …
I don't know of a single member of our association who believes that attack was
an accident." - Chief Petty Officer Stanley W. White, president Liberty
Veterans Association
The shooting of the life rafts indicates that
the Israelis did not want anyone to survive the assault and intended sinking of
the US$ Liberty.
"Twenty minutes later, after the Liberty had been hit
repeatedly by machine guns, 30 mm cannon and napalm from the Israelis'
French-built Mirage and Mystere fighter-bombers, the controller directing the
attack asked his chief in
Tel Aviv to which
country the target vessel belonged.
"Apparently American," the chief
controller replied.
Fourteen minutes later the Liberty was struck
amidships by a torpedo from an Israeli boat, killing 26 of the 100 or so
NSA technicians and
specialists in Russian and Arabic who were working in restricted compartments
below the ship's waterline." - Christopher Bollyn
Oliver Kirby, the
National Security
Agency deputy director for operations at the time of the Israeli attack
on the US$ Liberty confirmed the existence of the transcripts of intercepted
Israeli communications which prove the Israelis were aware that they had
targeted an American
ship.
"They said, 'We've got him in the zero', I guess the sights
or something.
And then one of them said, 'Can you see the flag?'
They said, 'Yes, it's US, it's US'.
There wasn't any doubt in anybody's mind that
they knew it.
Its something that's bothered me all my life.
I'm willing to swear on a stack of Bibles they knew." - Oliver Kirby
"Ground control stated the target was American and for confirmation.
Aircraft confirmed the identity of the target as American, by the flag.
Ground control ordered the aircraft to attack and sink the
target.
Dead men tell no tales.
He
kept insisting the mission had to sink the target, and was frustrated with
the pilots' response that it didn't sink." - Steve Forslund, an intelligence
analyst for the 544th Air Reconnaissance Technical Wing in 1967, who saw
the transcripts from the Israeli pilots and their ground control as they came
off the teletype machine at Offutt Air Force Base in Omaha
"I
don't care if the ship sinks and every man on board drowns, we are not going to
fight against our allies." - statement made by
Lyndon Johnson to
Admiral and Commanding Officer of the Mediterranean Fleet Larry Geis
"I
think that those 34 men who were killed on the Liberty were killed deliberately
in a preconceived operation." - Congressional Testimony of Admiral Thomas
Moorer, Chairman of the Joint Chiefs of Staff
"US
intelligence docs indicate the Israelis attacked the Liberty deliberately.
They feared she would monitor their plans to attack the
Golan Heights.
A
move opposed for fear of provoking Soviet response." - James Ennes
Israelis wanted to sink the US electronic reconnaissance vessel:
to
prevent the US from discerning the planned seizure of the Golan Heights;
to prevent the US from obtaining evidence Israeli troops were
slaughtering some 1,000 Egyptian prisoners
of war near Gaza;
to destroy the only US vessel listening post that
was capable of discerning that Israel was sending false communications to
Jordan and Egypt to keep them in the war until the Israeli military achieved
its territorial goals on the ground.
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