Ash had not
seen her at first.
His gaze had been fixed on the shrunken thing that
had once been his enemy.
A movement near him made him turn his head and
he saw that Anjuli had come to stand beside him.
She was staring
through the chik with an
expression of shrinking horror, as though
she could not bear to look, yet
could not keep herself from looking.
Following the direction of that
agonized gaze, he saw Shushila.
Not the Shushila he had expected to see
bowed, weeping and half-crazed by terror, but a queen. . . a Rani of Bhithor.
Had he been asked, Ash would have insisted that Shu-shu would never be
able to walk to the burning
ground unassisted, and that if she walked at all and did not have to be
brought in a litter, it would only be because she had been
stupefied by drugs and then half
dragged and half carried there.
The small, brilliant figure walking
behind the Rana's bier was not only alone, but walking upright and unfaltering.
There was pride and
dignity in every line of her
Her small head was erect and the little unshod feet that
had never before stepped on anything harsher than
Persian carpets and cool
polished marble trod slowly and steadily, marking
the burning dust with small neat
footprints that the adoring crowds
behind her pressed forward to obliterate with kisses.
She was dressed
as Ash had seen her at the marriage ceremony, in the scarlet and gold wedding
dress, and decked with the same jewels as she had worn that day.
Pigeon's-blood rubies circled her throat
and wrists, glowed on her forehead and her fingers, and swung from her
There were rubies too on the chinking golden anklets, and the
hard sunlight glittered on the gold embroidery of the full-skirted Rajputani
dress and flashed on the little jewelled bodice.
She wore no sari, her
long hair was unbound as though for her bridal night.
It rippled about
her in a silky black curtain that was more beautiful than any sari made by man,
and Ash could not drag his gaze from her, though his body cringed from that
She seemed wholly unconscious of
the jostling crowds who applauded
her, calling on her to bless them and struggling to touch the hem of her
skirt as she passed, or of the sea of eyes that stared avidly at her unveiled
Ash saw that her lips were moving in the age-old invocation that
accompanies the last journey of the
dead: Ram, Ram . . . Ram, Ram. . .
He said aloud and incredulously:
'You were wrong.
She is not
The clamour from below almost drowned his words, but
Anjuli heard them, imagining that they had been addressed to her instead of to
himself, she said:
'Not yet. It is still
only a game to her. No,
not a game - I don't mean that. But something that is only happening in her
mind. A role she is playing.'
'You mean she is drugged? I don't believe it.'
'Not in the way
you mean, but with emotion - and desperation and
And - and perhaps. . .
triumph. . .'
'Triumph!' thought Ash.
whole parade smacked more of a triumphal parade than a funeral.
A procession in
honour of a goddess who deigned to show herself, only once, to accept the
homage of her shouting, exultant and adoring worshippers.
remembered then that
Shushila's mother, in the days before
her beauty captured the heart
of a Rajah, had been one of a troupe of entertainers:
men and women whose livelihood
depended upon their ability to capture
the attention and
applause of an audience - as her daughter was doing now.
Goddess of Bhithor, beautiful as the dawn and glittering with gold.
Yes, it was a triumph.
And even if she was only playing a part, at least she was playing it
'Well done!' whispered Ash, in a heart felt endorsement of
all those outside who were hailing her with the same words. 'Oh, well done - !'
Beside him, Anjuli too was murmuring to herself, repeating the same
invocation as Shushila: 'Ram, Ram
It was only a
breath of sound and barely audible in that tumult,
but it distracted Ash's
attention, and though he knew that the prayer was not for the dead man but for
her sister, he told her sharply to be quiet.
His mind was once again in
a turmoil and torn with doubts.
For watching the unfaltering advance of
that graceful scarlet and gold figure, it seemed to him that he had
no right to play providence.
The cortege had reached the pyre and the bier was placed on it.
Shushila began to divest herself of her jewels, taking them off one by
one and handling them to the child, who gave them in turn to the Diwan.
She stripped them off quickly, almost gaily, as
though they were no more than withered flowers or trinkets of no value which
she had tired and was impatient to be rid of.
The silence was so
complete that all could hear the clink of them as the new Rana received them
and the late Rana's Prime Minister stowed them away in an embroidered bag.
Even Ash in the curtained enclosure heard it, and
wondered incuriously if the Diwan
would ever relinquish them.
Probably not; though they had come from
Karidkote, and being part of Shushila's dowry should have been returned there.
He thought it unlikely that either Shu-shu's relatives or the new Rana
would ever see them again once the Diwan had got
his hands on them.
all her ornaments had been removed except for a necklace of sacred tulsi seeds,
Shushila held out her slender ringless hands to a
priest, who poured Ganges
water over them.
The water sparkled in the low sunlight as she shook
the bright drops from her fingers, and the
assembled priests began to
intone in chorus
To the sound of that
chanting, she began to walk round the pyre, circling it three times as once, on
her wedding day and wearing this same dress, she had circled the sacred fire,
tied by her veil to the shrunken thing that now lay waiting for her on
a bridal bed of cedar-logs and
ended and once again the only sound in the grove was the cooing of doves: that
soft monotonous sound that together with the throb of a tom-tom and the creak
of a well-wheel is the Voice of India.
The silent crowds stood motionless, and none stirred as the suttee
mounted the pyre and seated herself in the lotus posture.
the wide folds of her scarlet dress to show it to its best and then gently
lifted the dead man's head onto her lap, settling it with infinite care, as
though he were asleep and she did not wish to wake him.
Anjuli in a whisper that broke in a sob -
'Do it now
before - before she starts to be afraid.'
'Don't be a
The retort cracked like a whip in
the quiet room.
'It would make as much noise as a cannon and bring them
all down on us like hornets.'
He had meant to say 'I'm not going to
fire', but he did not do so.
There was no point in making things worse
for Juli than they were already.
The way in which Shu-shu had cradled
that awful head in her lap had made up his mind for him at last, and he had no
intention of firing.
Juli took too much upon herself: she forgot that
her half-sister was no longer a sickly infant or a frail and highly strung
little girl who must be protected and cosseted - or that she herself was no
longer responsible for her.
Shu-shu was a grown woman who knew what she
She was also a queen - and proving that she could behave as
This time, for good or ill, she had been allowed to make her own
The crowd outside was still silent, but now
a priest began to swing a heavy
temple bell that had been carried out from the city, harsh notes
reverberated through the grove awakening echoes from walls and domes of many
A Brahmin sprinkled the dead man and his widow with water
brought from the sacred river Ganges while others poured ghee and scented oil
upon the logs of cedar and sandalwood and over the feet of the Rana.
Shushila did not move.
She sat composed looking down at the
grey, skull-like dead face on her lap.
goddess in scarlet and
gold: remote, passionless and strangely unreal.
The Diwan took the
torch again and gave it into the trembling hands of the boy - Rana, who seemed
about to burst into tears.
It wavered in
the child's grasp, being over heavy for such small hands to hold, and one of
the Brahmin came to his assistance and helped to support it.
brightness of that flame was a sharp reminder that evening was already drawing
Only a short time ago it had been
almost invisible in the glaring sunlight,
but now the sun was no longer fierce enough to dim that plume of light.
The shadows had begun to
lengthen and a day that had seemed as though it would never end would soon be
over - and with it, Shushila's short life.
She had lost father and
mother, and the brother who, for his own ends had given her in marriage to a
man who lived so far away that it
had taken months and not weeks to reach her new home.
She had been a
queen, had miscarried two children and borne a third who had lived only a few
days; and now she had been widowed, and must die. . .
'She is only
sixteen,' thought Ash.
'It isn't fair. It isn't fair!'
hear Sarji's quickened breathing and the thump of his own heart beats, and
though Anjuli was not touching him he knew, without knowing how he knew, that
she was shivering violently as though she was very cold or stricken with fever.
He thought suddenly that if he fired a shot she would not know if the
bullet had done its work or not, and that he had only to aim over the heads of
If it comforted Juli to think that her sister had been
spared the flames, then all he needed to do was pull the trigger - ! she had
thrust aside the head on her lap, and now, suddenly, she was on her feet,
staring at those flames and screaming -
screaming . . .
The sound of those screaming cut through the clamour as
the shriek of violin strings cuts through the full tempest of drums,
wind-instruments and brass.
It drew a gasping echo from Anjuli, and Ash
lifted his gun and fired.
The screaming stopped short and the slender
scarlet and gold figure stretched, out
one hand gropingly
as though searching for support, and then crumpled at the knees and pitched
forward across the corpse at her feet.
As she fell the Brahma flung the
torch on the pyre, and flames gushed up from the oil drenched wood and threw a
shimmering veil of heat and smoke between the watchers and the recumbent figure
of the girl who now wore a glittering wedding dress of fire.
of the shot had sounded appallingly loud in that small confined space, and Ash
thrust the revolver into the breast of his robe and turning, said savagely:
'Well, what are you waiting for? Get on - go on Sarji - you first.'
Anjuli still seemed dazed.
He pulled the cloth roughly across
her nose and mouth and made sure that it was secure, and having adjusted his
own, caught her by the shoulders: 'You've done all you can for Shushila. She's
gone. We come first now. All of us. Do you understand?'
'Good. Then turn around and go with Gobind, and don't look
back. I shall be behind you. Walk -!'
He turned her about and pushed
her ahead of him towards the heavy purdah that Manilal was holding open for
them, and she followed Sarji through it and down the marble stairway that led
to the terrace and the crowds below.
Until recently Anjuli had been able to believe, or
had made herself believe, that Shushila was innocent of much that had been
imputed to her; but now she knew better - not only with her
head but in her
Yet she could not refuse the summons.
She had expected to find
the new-made widow weeping and distraught, her hair and clothing torn and her
women wailing about her.
When she entered there was only one individual
there: a small erect figure that for a moment she did not even recognize. . .
'I would not have believed that she could look like
that. Ugly, and evil and cruel. Cruel beyond words. Even Janoo-Rani had
never looked like that, for Janoo had been beautiful and this woman was not.
Nor did it appear possible that she could ever have been beautiful - or young.
She looked at me with a face of stone and asked me how I dared come
into her presence showing no signs of grief.
For in this too I had
sinned: it was intolerable to her that I should escape
the agony of grief that was
tearing at her own heart.
'She told me . . . she told me everything:
how she had hated me from the moment she fell in love with her husband, because
I too was his wife and she could not
endure the thought of it.
She had me starved and imprisoned to make me pay for that crime, and
also in order that I might look old and ugly so that if by chance the Rana
should remember my existence, he would turn from me in disgust: that she had
ordered the killing of my two serving-maids, and of old Geeta . . .
threw it all in my face as though each word was a blow, and as though it eased
her own pain to see me suffer - and how could I not suffer?
When - when
she had finished she told me that she had resolved to become suttee, and that
the last thing I would ever see would be the flames uniting her body with her
husband's, because she had given orders that when I had seen it my eyes were to
be put out with hot irons, and afterwards - afterwards I would be taken back to
the Zenana to spend the rest of my life in
darkness - as a drudge.
tried to reason with her. To plead with her. I went on my knees to her and
begged her in the name of all that lay between us - the years
the tie of blood and the affection
we had had for each other in the past - but at that she laughed, and summoning
the eunuchs and had me dragged away ...
Her voice failed on the last
word, and in the silence that
followed Ash became aware once more of the sound of the sea and all the
many small ship noises; and that the cabin smelled strongly of hot lamp
M. M. Kaye, from Far Pavillions
sutteeSuttee, Sanskrit sati
("good woman" or "chaste wife"), the ancient Hindu custom of a wife immolating
herself on the funeral pyre of her dead husband. The suttee ideal of womanly
devotion was held by certain Brahman and royal castes. The
Hindu goddess Sati burned herself to death in a fire that she forged through
her magic Yogic powers after her father insulted her husband, the god
Shiva-Nataraja. This is a
ritual reenactment of the initial self-sacrifice of the Hindu
It is surmised the ancent Rajput women of Rajasthan,
relying on the myth that the Hindu faithful feel no pain from the funeral pyre,
chose this way of preserving their and their husbands' honour when their
menfolk where conscripted to fight in the tyrant's war and sent to die on a
self-immolation of elite
Hindu wives on their husbands' funeral pyres confronted the British in India
with central questions about the obligations of the colonizer to the colonized,
respect for other cultures, and questions of gender that had important
implications for British women.
As well as raising uncomfortable and
challenging issues about the role and duties of the British in India, it called
into question the self-abnegation expected of
women in Britain itself, prompting some reflections on the very nature of
service and self-sacrifice,
especially in the colonial
This web site is not a commercial web site and
is presented for educational purposes only.
This website defines a
new perspective with which to engage reality to which its author adheres. The
author feels that the falsification of reality outside personal experience has
forged a populace unable to discern propaganda from reality and that this has
been done purposefully by an international corporate cartel through their
agents who wish to foist a corrupt version of reality on the human race.
Religious intolerance occurs when any group refuses to tolerate religious
practices, religious beliefs or persons due to their religious ideology. This
web site marks the founding of a system of philosophy named The Truth of the
Way of the Lumière Infinie - a rational gnostic mystery religion based
on reason which requires no leap of faith, accepts no tithes, has no supreme
leader, no church buildings and in which each and every individual is
encouraged to develop a personal relation with the Creator and Sustainer
through the pursuit of the knowledge of reality in the hope of curing the
spiritual corruption that has enveloped the human spirit. The tenets of The
Truth of the Way of the Lumière Infinie are spelled out in detail on
this web site by the author. Violent acts against individuals due to their
religious beliefs in America is considered a "hate crime."
This web site
in no way condones violence. To the contrary the intent here is to reduce the
violence that is already occurring due to the international corporate cartels
desire to control the human race. The international corporate cartel already
controls the world central banking system, corporate media worldwide, the
global industrial military entertainment complex and is responsible for the
collapse of morals, the elevation of self-centered behavior and the destruction
of global ecosystems. Civilization is based on co÷peration. Co÷peration does
not occur at the point of a gun.
American social mores and values have
declined precipitously over the last century as the corrupt international
cartel has garnered more and more power. This power rests in the ability to
deceive the populace in general through corporate media by pressing emotional
buttons which have been preprogrammed into the population through prior
corporate media psychological operations. The results have been the destruction
of the family and the destruction of social structures that do not adhere to
the corrupt international elites vision of a perfect world. Through distraction
and coercion the direction of thought of the bulk of the population has been
directed toward solutions proposed by the corrupt international elite that
further consolidates their power and which further their purposes.
views and opinions presented on this web site are the views and opinions of
individual human men and women that, through their writings, showed the
capacity for intelligent, reasonable, rational, insightful and unpopular
thought. All factual information presented on this web site is believed to be
true and accurate and is presented as originally presented in print media which
may or may not have originally presented the facts truthfully. Opinion and
thoughts have been adapted, edited, corrected, redacted, combined, added to,
re-edited and re-corrected as nearly all opinion and thought has been
throughout time but has been done so in the spirit of the original writer with
the intent of making his or her thoughts and opinions clearer and relevant to
the reader in the present time.
Fair Use Notice
This site may contain copyrighted material the use of which has
not always been specifically authorized by the copyright owner. We are making
such material available in our efforts to advance understanding of criminal
justice, human rights, political, economic, democratic, scientific, and social
justice issues, etc. We believe this constitutes a 'fair use' of any such
copyrighted material as provided for in section 107 of the US Copyright Law. In
accordance with Title 17 U.S.C. Section 107, the material on this site is
distributed without profit to those who have expressed a prior interest in
receiving the included information for research and educational purposes. For
more information see: www.law.cornell.edu/uscode/17/107.shtml. If you wish to
use copyrighted material from this site for purposes of your own that go beyond
'fair use', you must obtain permission from the copyright owner.
© Lawrence Turner
All Rights Reserved